Lee Jinju’s surreal scenes and studies, often rendered in Korean paint on linen, explore memory and psychological iconography. Her paintings move between sparse elements and intricate narratives. A statement reminds us that “negative events and emotions of the past, which were not even wanted, endlessly appear and disappear within the everyday life.” The artist was last featured on HiFructose.com here and appeared in Hi-Fructose Vol. 27.
“From the superfluousness cut from a well-made frame, following their softly soundless stories, cuddling the insignificant and petty motifs of the everyday, I discover the unconscious sensuous layer that is hidden inside,” the artist said, in a past statement. “At that moment, I become a melancholic adventurer and the everyday is reborn into things of the extraordinary.”
See more of Jinju’s recent work below.
In Chris Austin's surreal paintings, the overlooked giants of the ocean make their way across landscapes and suburban settings. His recent show with Antler Gallery, titled “Unfamiliar,” offered new work from the artist, who often focuses on the elegance and plight of nature and its inhabitants.
Idealized nude figures are a longstanding tradition in Western art history and, as viewers, we're accustomed to seeing the female body exposed. But the bodies we see today — not only in art, but in magazines, films, and music videos — adhere to certain constraints in regards to their size, shape, skin tone, and even age. With her large-scale paintings, Brooklyn-based painter 
