There’s a tradition in the faceted approach to depicting figures that goes further back than than the pop designs of Tim Biskup or the vibrant multimedia works of Okuda. David Mesguich’s large public sculptures add to the contemporary side of this approach, with dramatic pieces that use light and shadows in unexpected and enormous ways. The sculpture below plays on the artist’s past work as a graffiti artist and self-professed “vandal,” using recycled plastic from street advertisements.
“In a obsessional way David travels cities and develops an atypical mapping by focusing his interest for all which, in those spaces of passage separates and divides up,” a statement says. “For more than 15 years it’s by the addicting exercise of graffiti that he investigated the subject. Today, it’s by drawing and by monumental installations in-situ that he re-appropriates some parcels of those aseptic territories.”
See more of his works below.
The sculptures of 
The fantastic wire creations of Walter Oltmann seem both alien and familiar. The artist often calls upon the natural world and images from human history to explore themes of hybridism and mutation while referencing the rich traditions of South African craft-making. Born in 1960, Oltmann spent his childhood living in remote parts of the KwaZulu-Natal region, where he was first exposed to local handicrafts such as weaving and basket-making. Using wire as his preferred medium, the artist has become an expert on wire working and devotes himself to studying the influence of cultural traditions on contemporary South African art.