Menu
The New Contemporary Art Magazine

Justin Bower’s Fractured Portraits Evolve

Justin Bower’s abstracted, fractured faces maintain a sense of intimacy. In his latest oil on canvas works, Bower’s evolved this approach with new, startling “glitches.” He's current part of the group show "Los Angeles Painting: Formalism to Street Art" at Bruno David Gallery in Missouri, and he was last featured on HiFructose.com here.

Justin Bower’s abstracted, fractured faces maintain a sense of intimacy. In his latest oil on canvas works, Bower’s evolved this approach with new, startling “glitches.” He’s current part of the group show “Los Angeles Painting: Formalism to Street Art” at Bruno David Gallery in Missouri, and he was last featured on HiFructose.com here.

“The ongoing decoding of the human body, a formula to each individual’s genome, confronts us with a radical question of ‘What are we? Am I a code that can be reduced and multiplied infinitely?’” a statement says. “Bower’s paintings begin to open a dialogue to this destabilizing effect/trauma technology has on the individual that has infected the daily lives of contemporary man.”

Bower is a San Francisco native, and his work has been shown across the world. His awards include a Feitelson Fellowship Grant and a Joan Mitchell Award in 2010.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Hollywood based artist Deirdre Sullivan-Beeman adds an enchanting, fairytale-like charm to her paintings made by a 14th century technique of oil paints and egg tempera. Her youthful images evoke the romance and luminosity of works by Old Master painters like Michelangelo and Leonardo da Vinci, combined with elements taken from religion, legends, and glyphs or pictograms, used to tell her stories. Her primary subject is often a little girl, sometimes wearing a pinafore dress, depicted wandering in a nonsensical realm with talking flowers and white rabbits, recalling images from Lewis Carroll's Alice's Adventures in Wonderland. The main source of Beeman's unique mythology, however, comes from her own personal experiences and what she writes down in a dream journal that she has kept over the years.
Amy Sherald’s oil paintings are arresting portraits, absorbing in their choices of palette and mood. Within her works’ titles, we’re given further insight into the personalities of these figures, like “What's Precious Inside Of Him Does Not Care To Be Known By The Mind In Ways That Diminish Its Presence (All American)” and “Try On Dreams Until I Find The One That Fits Me. They All Fit Me.” Yet, these works stand alone as engrossing, vibrant odes to individualism. For a recent show at Monique Meloche Gallery in Chicago, the venue said that the artist creates “imagined figures based on real-life interactions, subverting and exploring notions of black identity through her unique sense of visual culture, color and line.”
San Francisco based artist John Wentz plays with texture and abstraction in what he calls his "fractured" oil paintings of figures. Previously featured on our blog, the figures in Went'z work have been described as hazy, dreamy, and stripped away, broken down to a combination of nondescript washes and bold areas of pigment that evoke the feeling of remembering a distant memory that comes back to us as distorted. In his artist statement, he explains that "working within the classical idiom of the human figure, his goal is to reduce and simplify the image to it’s core fundamentals: composition, color, and paint application."
Riccardo Mayr carefully adds elements and characters from the Star Wars franchise to original oil paintings from the 17th and 18th centuries. A new show, "Religious Paintings of the Expanded Galaxy," collects these works at Gallery 30 South in Pasadena. The gallery says one goal is to "present religious faith and ethics in a post-modern paradigm largely embedded in fictional reality through a multi-generational exposure and fascination with successful science fiction movies."

Subscribe to the Hi-Fructose Mailing List