Menu
The New Contemporary Art Magazine

AJ Fosik’s Newest Wooden Animal Sculptures

AJ Fosik, a self-described "sawdust provocateur," crafts wooden sculptures that appear as totem-like beasts, extending from the wall with a spiritual vibrancy. The artist counts taxidermy, rituals from varying cultures, and folk art as influences in these pieces. The nature of how the pieces stand or are mounted to walls, in particular, references taxidermic practices. His work adorned the cover of Hi-Fructose Vol. 18.

AJ Fosik, a self-described “sawdust provocateur,” crafts wooden sculptures that appear as totem-like beasts, extending from the wall with a spiritual vibrancy. The artist counts taxidermy, rituals from varying cultures, and folk art as influences in these pieces. The nature of how the pieces stand or are mounted to walls, in particular, references taxidermic practices. His work adorned the cover of Hi-Fructose Vol. 18.

“Ideas of empathy and synthesis are a common duality in the work, whereby the anthropomorphized figures communicate the basic human condition,” a statement says. “Totems and fetishes, as well as the ‘random, chaotic and arbitrary nature of existence,’ fascinate Fosik; though less overt, the animals he creates represent a plethora of icons from various theologies, giving them the subversiveness of a cast of fictional, anti-religious gods. The artist delights in the endless interpretations the works have inspired in his viewers.”

The artist has a new show with Library Street Collective in his native Detroit titled “From Ripe to Rot.” The show collects the artist’s latest flamboyant creations.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Ignacio Canales Aracil presses flowers using voluminous molds that shape them into fragile vessels with a colorful, lace-like surface. Even as the seasons change, his process preserves the essence of spring. With their full forms intact, the flowers have a liveliness to them, even as they transform into these manmade shapes. Canales Aracil recently exhibited at Museo Sorolla in Madrid and currently is part of a group show on view through February 28 at Galeria Lucia Mendoza in the Spanish capital, as well.
Opening on May 2, “Degeneration/Regeneration" features the paintings of Scott Greenwalt and the 3D-printed sculptures of the collaborative team of Smith|Allen (Stephanie Smith and Bryan Allen) at Oakland’s Loakal Art Gallery. It shows how artists mediate nature through art. It’s not a new concept, not by a long shot. But it’s a fertile and relevant one. On one level, the show serves as an environmental call to arms. Any recent image of industrial Chinese cities affirms the show’s significance. On another level, it shows the way that urban folk experience digital representations of the natural world. This digitization can take place with photos and videos posted on social media. Google Earth allows viewers can visit scenes of natural or otherwise exotic climes. Finally, video games often occur in hyper accurate landscapes.
The concept of the Wunderkammer, aka The Cabinet Of Curiosities has been an artistic inspiration for some time, however a new show opening in November by Ryan Matthew Cohn and Jean Labourdette takes it up a notch with an exceptional show of sculptures and paintings based thematically on the subject. Click to read the new Hi-Fructose exclusive interview.
Nicola Samorì’s paintings and sculptures recreate the elegance of the Baroque and then physically deconstruct it, baring the layers that lie below. The artist’s process is a highly technical one, based on the techniques of the Old Masters, and then scraping, slashing, or tearing for something wholly contemporary.

Subscribe to the Hi-Fructose Mailing List