Menu
The New Contemporary Art Magazine

Lorenzo Quinn Shows ‘Support’ in Venice

Italian artist Lorenzo Quinn unveiled a new sculpture at Ca' Sagredo Hotel during this year's Venice Biennale. "Support," an enormous sculptural installation that appears to emerge out of the Grand Canal, appears as enormous, white hands. The work aims to display how humans have the ability and opportunity to “change and re-balance the world around them.” In particular, the hands are commenting on the urgency of climate change.

Italian artist Lorenzo Quinn unveiled a new sculpture at Ca’ Sagredo Hotel during this year’s Venice Biennale. “Support,” an enormous sculptural installation that appears to emerge out of the Grand Canal, appears as enormous, white hands. The work aims to display how humans have the ability and opportunity to “change and re-balance the world around them.” In particular, the hands are commenting on the urgency of climate change.

“Reflecting on the two sides of human nature, the creative and the destructive, as well as the capacity for humans to act and make an impact on history and the environment, Quinn addresses the ability for humans to make a change and re-balance the world around them – environmentally, economically, socially,” Halcyon Gallery says. “Support sees Quinn reflect on and readdress these global issues by echoing the meticulous execution and technique of the Masters of the past to create a powerful and unique sculpture … ”

The hands are reportedly crafted from polyurethane foam covered by a resin and weigh 5,000 pounds each. Pillars, at nearly 30 feet long, are used to anchor the pieces to the floor of the canal.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Swiss artists Pablo Togni and Christian Rebecchi join forces for a variety of interdisciplinary art projects as NEVERCREW. The duo is known for their large scaled murals and public art initiatives that share common grounds with not only graffiti, but illustration and graphic design as well. Their integrative style explores the relationship between public space, the artwork and the viewer — the strong interaction among the elements creates a balanced whole.
Interdisciplinary artist Myriam Mechita creates sculptures, installations, and drawings where graphically violent content is presented as ornamental, sparkling eye candy, resulting in climactic visuals that stir the senses. Mechita's sculpture work mixes ceramics and found objects and often features beheaded animals — especially deer — hanging upside down in methodical arrangements. Plastic beads — like those that hang from beaded curtains or Mardi Gras necklaces — appear to spill out of their necks. The animals' bodies become almost like ritualistic sacrifices in Mechita's work, which carefully balances darkly surrealist juxtapositions, occult imagery, and decorative kitsch.
Along with HOT TEA and AJ Fosik, Okuda San Miguel is part of one of three artists crafting installation projects at SCOPE Miami Beach's atrium (Dec. 4-9), marking Hi-Fructose's 14th year in publishing. We recently caught up with Okuda on his major projects from this year and what's ahead. (He was also the cover artist for Hi-Fructose Vol. 43, available here.)
Kyoto based artist Teppei Kaneuji creates bizarre multimedia works that examine the mass consumption of his culture. He is perhaps best known for his Manga-inspired characters made of objects like plastic food, toys, scissors, and furniture parts. This is a fascination that has followed him since childhood, when he enjoyed playing with blocks and putting together everyday objects. Opening September 10th, Kaneuji will make his US solo exhibition debut at Jane Lombard Gallery in New York with "Deep Fried Ghost". The exhibit showcases the artist's five most notable series from 2002 through today: "White Discharge", "Muddy Steam from a Mug", "Teenage Fan Club", "Ghost in the Liquid Room", and "Games, Dance, Constructions, (Soft Toys)", in addition to new pieces created for the show.

Subscribe to the Hi-Fructose Mailing List