Italian artist Lorenzo Quinn unveiled a new sculpture at Ca’ Sagredo Hotel during this year’s Venice Biennale. “Support,” an enormous sculptural installation that appears to emerge out of the Grand Canal, appears as enormous, white hands. The work aims to display how humans have the ability and opportunity to “change and re-balance the world around them.” In particular, the hands are commenting on the urgency of climate change.
“Reflecting on the two sides of human nature, the creative and the destructive, as well as the capacity for humans to act and make an impact on history and the environment, Quinn addresses the ability for humans to make a change and re-balance the world around them – environmentally, economically, socially,” Halcyon Gallery says. “Support sees Quinn reflect on and readdress these global issues by echoing the meticulous execution and technique of the Masters of the past to create a powerful and unique sculpture … ”
The hands are reportedly crafted from polyurethane foam covered by a resin and weigh 5,000 pounds each. Pillars, at nearly 30 feet long, are used to anchor the pieces to the floor of the canal.
Whether it’s a cleverly disguised speaker box or massive wall installation, 
In a major installation at Tolarno Galleries in Melbourne, Christopher Langton built his own immersive system of celestial bodies, robots, and organisms resembling viruses and fungi. “The hyperreal manifestation of Langton’s own recent experiences beset by life-threatening disease and infection, ‘Colony’ beckons us to consider that we are all multi-cellular symbiotic organisms, negotiating a precarious shared ecology,” the gallery says.
The brutal paintings of 
A 50-foot-tall Minotaur and a giant spider recently descended upon Toulouse, France, as part of the