Menu
The New Contemporary Art Magazine

Chun Sung-Myung’s Surreal, Figurative Installations

Chun Sung-Myung creates surreal, figurative installations full of sculpted characters often having the artist’s own face. These dreamlike situations move between distress, somberness, and a broader vulnerability. The characters, representing part of the artist’s own psyche, often exist in modes of solitude or surrounded by otherworldly creations.

Chun Sung-Myung creates surreal, figurative installations full of sculpted characters often having the artist’s own face. These dreamlike situations move between distress, somberness, and a broader vulnerability. The characters, representing part of the artist’s own psyche, often exist in modes of solitude or surrounded by otherworldly creations.

“Chun, who specializes in the traditional techniques of sculpture, creates narrative installations in a completely innovative manner,” a past statement says. “For him, looking deep into himself as a metaphor for the people of this age has been a consistent theme since the beginning of his career. To depicting the journey of exploring the inner self, he has developed his own distinctive style of placing realistic sculptures within a theatrical plot.”

The Korean artist attended the University of Suwon. A more recent exhibition, with sculptures shown above, tells an overarching narrative of “the story of dark night through dawn, of three plots the artist has devised.” Part of the fun—and part of the introspective journey for the viewer—is sorting through these allegories.


Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
First featured in Hi-Fructose Vol. 8, and soon, our exhibition with Virgina MOCA in 2016, Barnaby Barford builds vignettes and installations out of found figurines that he cuts up and reassembles. The objects he uses for his materials are some that most people would dismiss in their original form, but Barford's art makes them relevant and alluring. For his latest installation, "Tower of Babel", the artist's process began when he cycled over 1,000 miles to photograph facades from each of London's postcodes.
Recycling packaging materials and other discardables, photographer Suzanne Jongmans crafts Renaissance-style portraits that examine contemporary consumption. The artist finds value in these otherwise overlooked materials; elsewhere, she piles clothes and finds beauty in unfinished garments.
Swiss artist Urs Fischer, based in New York, adapts the human face into topographical forms in his paintings. Works like "Landscape," above, are crafted from aluminum panel, reinforced polyurethane foam, epoxy, acrylic ink, primer, paint, and silkscreen, and gesso. These paintings reorganize visages into landscapes, with the artist's own face used in differing ways. The recent show “Mind Moves,” erected at Gagosian Gallery in San Francisco, was accompanied by a quote from the artist: “At its core, art is all about order. When you're an artist, you basically arrange, rearrange, or alter; you play off order.”
The duo Santissimi, comprised of artists Sara Renzetti and Antonello Serra, use the body to both examine humanity and use its elements for new creations. While the contortions and dissections would supposedly bring expressions of agony, the tranquility of the subjects implies a greater purpose in these explorations.

Subscribe to the Hi-Fructose Mailing List