Menu
The New Contemporary Art Magazine

Deborah Simon’s ‘Flayed’ Bears Reflect on Human, Animal Relationships

Deborah Simon, a Virginia-born, New York-based artist, creates sculptures that explore “the reality of the animal and the vulnerability imbued in toy.” Though her sculptures appear to be taxidermy, series like “Flayed Animals” are made entirely from hand. She uses materials like polymer clay, faux fur, acrylic paint, wire, foam, glass, and embroidery materials to create these animals, mostly focusing on bears.

Deborah Simon, a Virginia-born, New York-based artist, creates sculptures that explore “the reality of the animal and the vulnerability imbued in toy.” Though her sculptures appear to be taxidermy, series like “Flayed Animals” are made entirely from hand. She uses materials like polymer clay, faux fur, acrylic paint, wire, foam, glass, and embroidery materials to create these animals, mostly focusing on bears.


“My work walks the line between taxidermy, toy and sculpture,” the artist says, in a statement. “Each sculpture is meticulously fabricated to create an unnervingly accurate but slightly off version of the natural animal. Evolution has always held a particular fascination for me, informing how I create and group the animals in my work. As I’ve read and dug through museum collections to research my pieces, western science’s mania for labeling, codifying and collecting has stood out.”

The bear has become a focus of this series due to it being an iconic toy, in the form of the teddy bear. Simon reflects on inconsistent humans are with animals, in which are loved and hated, killed without care and idolized. In her works, the tension arises with how the artist combines the child-friendly aesthetic and the interior of the animal, the familiar and the unsettling.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles

Carrying a mystical undercurrent, Chie Shimizu’s sculptures are rooted in an exploration of "the significance of human existence.”  The artist, born in Japan and based now in Queens, New York, has crafted these riveting figures over the past couple decades, moving between different scales and textural approaches.

A new museum is being built off of Spain's Lanzarote island- underwater. It is the vision of artist Jason deCaires Taylor, previously featured on our blog, whose ghostly underwater figures have been exhibited in similar areas all over the world, including Grenada, the West Indies, Nassau, Bahamas, and Cancun, Mexico. Over 300 statues are being placed on the sea floor in Lanzarote's Las Coloradas Bay, a UNESCO's biosphere reserve, at depths of 12-15 meters where divers and snorkelers of all skill levels can view them.
Justin Favela’s large-scale projects are inspired by the texture, vibrancy, and cultural context of the piñata, whether adorning massive buildings or creating life-sized car sculptures. The Las Vegas-bred artist "critiques stereotypes by assessing their absurdities and then exaggerating them," as described by the Denver Art Museum. His major work there, "Fridalanida," took an immerse approach.
Using materials like glass, bronze, and other metals, Ukraine-born artist Nazar Bilyk creates surreal figures that shift perspectives and expectations. Much of his work is an exploration of man’s relationship with the natural world. Whether in a public art context or an indoor setting, the works toys with the viewer, depending on his or her distance from the work.

Subscribe to the Hi-Fructose Mailing List