Menu
The New Contemporary Art Magazine

Natalia Fabia’s ‘Rainbeau Samsara’ Explores Portals to the Divine

In a new show at Corey Helford Gallery in Los Angeles, Natalia Fabia explores life cycles, from our stardust origins to death, and the natural portals that lead us to the divine. "Rainbeau Samsara," which runs through Dec. 10 at the space, blends the conventions of oil painting and pops of sparkles and glitter to reflect the transcendental nature of the work's content.

In a new show at Corey Helford Gallery in Los Angeles, Natalia Fabia explores life cycles, from our stardust origins to death, and the natural portals that lead us to the divine. “Rainbeau Samsara,” which runs through Dec. 10 at the space, blends the conventions of oil painting and pops of sparkles and glitter to reflect the transcendental nature of the work’s content.

A statement from the gallery offers some insight into what led to Fabia’s current explorations: “Natalia Fabia has been painting the female form in environments for years. After the birth of her daughter, Peribeau, and the sudden loss of her brother, her painting exploration has progressed.”





And in this pursuit, Fabia’s allowed her work to develop organically. As she combines the cosmic with the backdrop of nature, the stars, splashes, and the flora of the land evolved and changed in response. As her subjects vary in age, culture, and emotions, several narratives come together to represent a larger purpose: A representation of how one can find tranquility and access something beyond ourselves in the every day.




Or as the statement reads, in terms of the stardust of which we’re composed: “It is this stardust that links us to the planets and cosmos, to the sand and dirt of the earth, and to each other.”

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Some of you may be familiar with the creepy-cute paintings of Miso- she spent the majority of last year exhibiting under her real name, Karen Hsiao (featured here). To accomodate her variety of styles, Hsiao created her "Miso" namesake, under which she exhibits surrealistic works inspired by biology and the unkown. Her upcoming solo show at La Luz de Jesus, "Cornucopia", reduces her already tiny paintings to an even smaller scale.
The vulnerable, fantastical oil paintings of Scott G. Brooks offer both narratives and raw portraiture. Though the artist has a knack for large-scale, intricate scenes, he can pack immense power in his single-character works. Brooks was last featured on our website here. In a statement, the artist talks about where his paintings come from.
Germany native Svenja Maaß creates paintings that are understood in waves, bringing heads to turn and speculate on each’s interworkings. Creatures seem to exist on differing planes than other components of the piece. Or as one gallery says, she describes her methodology “as a process which forces her and us to rethink again and again. Only slowly are things allowed to grow together.”
Fluffy, soft and vulnerable, the bunny may be the ultimate metaphor for the naiveté of childhood. New Orleans-based artist Alex Podesta creates mannequin-like sculptures of men dressed in bunny suits, often playing with stuffed rabbits, as an examination of early childhood development and the formation of self-awareness. Presented as doppelgangers or gangs of identical multiples, Podesta's characters follow the trails of their curiosity, playing and experimenting with the limits of the world around them. "In all of my recent work I have culled the rich fantasies, daydreams, misconceptions and experiences of childhood and re-contextualized them through the filters of adulthood, experience and education," wrote Podesta in his artist statement. Simultaneously unsettling and endearing, the adult characters in his work shed the pretensions of seriousness and masculinity, engaging in free-form play that often becomes lost as one comes of age.

Subscribe to the Hi-Fructose Mailing List