Menu
The New Contemporary Art Magazine

Watch Greg ‘Craola’ Simkins Create Hi-Fructose Vol. 41’s Cover

The cover for Hi-Fructose Magazine Vol. 41 comes from painter Greg “Craola” Simkins, an artist based in Los Angeles. In this post, you can take a look at how he created the piece that would become this cover. See those photos and a video below. Simkins was last featured on HiFructose.com here.


The cover for Hi-Fructose Magazine Vol. 41 comes from painter Greg “Craola” Simkins, an artist based in Los Angeles. In this post, you can take a look at how he created the piece that would become this cover. See those photos and a video below. Simkins was last featured on HiFructose.com here.


[youtube https://www.youtube.com/watch?v=Tlp4bxdY_qE&w=600&h=415]

In a statement on his website, the artist clarifies how he comes up with his imagery: “As our imagination takes over, we tend to leave what is ordinary and go outside of ourselves to visit these places. This is why I paint and what has inspired me over the years to grow as an artist. It is the constant search for what else is on the outside.”




Before embarking on a career as a full-time artist in 2005, Simkins worked as an illustrator for clothing companies and other brands. He also worked on video games like “Tony Hawk 2X,” “Spider-Man 2,” and “Ultimate Spider-Man.” Among his early influences, as a kid growing up in Torrance, Calif., Simkins cites cartoons, animals, stories, tattoos and “mind-numbing trips to grandma’s house.”



Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Creepy creatures, spindly figures and quirky narratives compose the illustrations of Bill Carman. Pigs in suits and yin-and-yang armored headgear stare at one another – snouts pressed together – with eyes wrinkled with age of wisdom. An angry bronze-faced rabbit sits in the foreground holding a screwdriver, gazing at the viewer and threatening to unscrew the boars’ masks. Though Conunganger has an Animal Farm aesthetic, They have My Eyes evokes a Tim Burton sentiment.
Rebecca Morgan’s portraits of country folk are delightfully weird if somewhat off-putting. Set in hunting camps and other woodsy environments, the artist's work is an exploration of rural and off-the-grid culture, featuring an array of eccentric characters. Her paintings and drawings bounce between humorous, ambivalent and grotesque depictions of everyday existence in rural Appalachia, inspired by the artist's upbringing in a small town in central Pennsylvania. Check out more of her work on Instagram.
Seamus Conley's recent oil paintings offer a convergence of reality and digital fantasy. In that latter world—and in materialism—there’s a hope for fulfillment that Conley explores. His recent body of work is currently on display at Andrea Schwartz Gallery, in a show that runs through Dec. 21.
Cleon Peterson’s stark, graphical reflections on our current political and social climate, rendered in acrylics on canvas and sculptures, are part of a show currently running at Over the Influence in Los Angeles. "Blood and Soil” collects his latest tableaux, confronting race, power, and religion. The show runs through Aug. 5 at the gallery. Peterson was last mentioned on HiFructose.com here.

Subscribe to the Hi-Fructose Mailing List