Menu
The New Contemporary Art Magazine

Dust and Cobwebs: The Sculptures of Paul Hazelton

While some sculptors sift through piles of objects in antique stores for materials, British artist Paul Hazelton can construct pieces out of the dust that collects on them. His intricate pieces are built with dust, hair, paper scraps, cobwebs, and any unwanted material that collects in the corners of our houses. Pieces like the skeletal “Old Holbein,” constructed from dust and acrylic wire, remind one of both the fragility of the material and the human body it represents.

While some sculptors sift through piles of objects in antique stores for materials, British artist Paul Hazelton can construct pieces out of the dust that collects on them. His intricate pieces are built with dust, hair, paper scraps, cobwebs, and any unwanted material that collects in the corners of our houses. Pieces like the skeletal “Old Holbein,” constructed from dust and acrylic wire, remind one of both the fragility of the material and the human body it represents. (Below photograph by by Vanja Karas.)



The artist says the themes his work include mythology, creation, decay, and ontology. “Spontaneous Generation – the immaculate conception from dust” adds the element of human hair, crafting literal human materials and a geometrically minded shell and conveying something far bigger than its 80-millimeter diameter. Using a toy soldier as its anchor, “Depart” depicts a spirit passing on with household dust and an adhesive.




He currently has work in “Wolves, Magic and Spinning Wheels: The anatomy of fairy tales” at Maslow Galleries, Everhart Museum in Scranton, Penn. (through Dec. 31). Hazelton’s upcoming exhibitions include “Curio: Sites of Wonder” at 3 Gallery, from Sept. 29-Dec. 2. A solo show, “Ghosts in the Making,” arrives at Viktor Wynd Museum of Curiosities, Fine Art, & Natural History in London on Sept. 17, lasting through Jan. 14.


Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Attention all artists! In partnership with our friends at Squarespace, Hi-Fructose is highlighting five artists who are currently using Squarespace for their website or portfolio. This week's feature is blown-glass sculptor Etai Rahmil, who creates colorful and fanciful trumpets out of his studio in Berkley, California. Using traditional glass blowing techniques and specializing in multi-color, Rahmil's trumpets pay homage to his contemporary inspirations. 
Luke O’Sullivan, a printmaker and sculptor based in Philadelphia, combines media and perspectives to detail fictional environments. In "Rise and Shine,” a new show at Paradigm Gallery, O’Sullivan offers a collection of new work that he says are about exploration and adventure. “I make sculptures that illustrate invented and undiscovered worlds,” the artist tells us.
Based in Seoul, Korea, Kyuin Shim is a digital artist and sculptor who executes dark and poignant visions by altering the human body. His latest sculptural series "Black Black" features several monochromatic renditions of mannequin-like figures whose bodies seem to disintegrate before one's eyes. In Korean, the title of the series has two meanings: "Black" and "Sound of Crying." The characters' flesh becomes consumed by bubbling matter that eventually turns into a downpour of water from their limbs and orifices. A recent series of digital 3D renderings, "Small Place," similarly abstracts the human body, this time in all white. Featuring different groupings of feet sticking out from under a cubicle-like prism, the piece evokes the smothering closeness of an unhealthy relationship. Take a look at some of Shim's work below.
Courtney Mattison’s ceramics are clearly inspired and motivated by the ocean — that immense, powerful and precious resource whose details are still largely hidden from us. Self-identifying as both an artist and “ocean advocate," Mattison has created massive installations, “Our Changing Seas, I-III,” that cover a bio-diverse selection of coral reef forms. Displayed in a gallery, the pieces appear to grow out of the wall, as if miraculously alive in the dry, alien atmosphere. The ceramic medium allows for remarkable ranges in color, spanning the spectrum of actual living coral to the bone-dry, matte whiteness of its dead state. Both versions are present in Mattison’s pieces, reminding us that these entities are desperately in need of preservation. "Our Changing Seas III" is currently on view at the Tang Museum at Skidmore College in Saratoga Springs, NY.

Subscribe to the Hi-Fructose Mailing List