In painting nature, artist David Kroll evokes a classical sense of beauty and fragility. He combines elements of naturalist painting and still life in his portrayal of animals like elegant egrets and koi which perch and swim around delicate objects. Though remarkably detailed and inspired by early landscape painting, Kroll has said that he wants to paint a version of the wild that is romantic, and not necessarily realistic. “I paint refuges, places to go to for solace. I want my paintings to be destinations of quiet and calm,” he says. “However, this world is fragile.”
“The elements in the foregrounds of my paintings are items carefully constructed, either by humans or animals. Yet, they are objects easily broken or destroyed. Birds represent messengers from the wild. They embody beauty and fragility. They are visitors that remind us of lands beyond, wilderness. The distant landscapes in my paintings are remembrances of the natural past, vaguely familiar and pleasing,” Kroll explains.
“The natural world seems essential to me but I am puzzled by how one can integrate it into our urban lives. Although, we are neither able nor willing to return to an Arcadian state, we still need to have a relationship with nature. I want to add a sense of balance, order and beauty to a world that is weighted in the opposite.” David Kroll will debut a new series of paintings in his upcoming solo, opening June 7th at Littlejohn Contemporary in New York.
In the Mia Brownell series "Plate to Platelet," the painter combines the sensibility of classical still life and the scientific investigation of blood cells, examining the relationship between consumers and food. Brownell is currently involved in two shows: a duo effort with Hunterdon Art Museum with Martin Kruck titled "Skepitcal Realism" and a group show at Shiva Gallery titled "Foodie Fever." She was last featured on our site 
Oil painter 
