Intricate portraits created by Jason Chen, a photographer based in Philadelphia, come from multiple images of the same subject. But as the artist weaves them together, in a process he says explores “time, movement, process, and mutation,” a new representation of the individual emerges (and the backdrop that encloses them). And somehow, their humanity remains intact.
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Chen is co-owner of Paradigm Gallery + Studio in Philadelphia, where the new show “Portrait” kicks off this weekend. (Artists like Lauren Rinaldi, Buddy Nestor, Jean-Paul Mallozzi, and Jason Andrew Turner are also featured.) Among those images is the above piece, an discombobulated, yet ethereal piece titled “K.”
Like the woven photographs of Elizabeth Maskasky or the large-scale, vibrant work of Lala Abaddon, the eye is tempted by several points of entry before settling in each of Chen’s works. The artist says he arrived at this new style after spending much time working with dry plate tintypes. The artist, originally from China, has worked as a photographer in the worlds of editorial, fashion, and alternative process. His woven works were first collected for an exhibit titled “Fragments,” last year at Paradigm.
In Kensuke Koike’s ongoing “Single Image Processing” series, the artist alters vintage photographs and postcards with both humorous and surreal results. With just a pair of scissors, the artist is able to remix and recontextualize imagery that is otherwise ordinary or nostalgia-fueled.
Photographer Aida Muluneh has lived all over the world, but it was in returning to Ethiopia that she found inspiration for her latest body of work. Muluneh's first solo exhibition for David Kruts Projects in New York City was titled “The World is 9,” and it featured new images from the artist. The title comes from something the artist’s grandmother used to say: “The world is 9. It is never complete and never perfect.”
A master manipulator in the dark room, 
French photographer