Menu
The New Contemporary Art Magazine

Mab Graves Paints a Fantastic Cosmos in “Atomic Candy Cosmonauts”

Today, we live in a universe where astronauts can tweet us their selfies from orbit. It's hard to believe that not long ago, artists and scientists alike had to use their imagination to envision the starry yonder. Indianapolis artist Mab Graves has often looked to the glorious space illustrations of the 1930s to 1970s for the inspiration of her fantastical dreamland, an ever-expanding universe populated by big-eyed waifs and their animal friends. Featured here on our blog, her sweet and carefree characters have developed a wild streak, where in recent works, they daringly venture into the splendid and infinite cosmos. Graves' upcoming solo at Arch Enemy Arts in Philadelphia furthers her character's love for adventure in imaginative new images that blend science and fiction.

Today, we live in a universe where astronauts can tweet us their selfies from orbit. It’s hard to believe that not long ago, artists and scientists alike had to use their imagination to envision the starry yonder. Indianapolis artist Mab Graves has often looked to the glorious space illustrations of the 1930s to 1970s for the inspiration of her fantastical dreamland, an ever-expanding universe populated by big-eyed waifs and their animal friends. Featured here on our blog, her sweet and carefree characters have developed a wild streak, where in recent works, they daringly venture into the splendid and infinite cosmos. Graves’ upcoming solo at Arch Enemy Arts in Philadelphia furthers her character’s love for adventure in imaginative new images that blend science and fiction.

“I have always had a deep passion for Science and all things 60’s Retro Space – so I knew that I wanted to paint an “Astro Girl” series one day,” Graves shares. “When I started the initial planning for my “Atomic Candy Cosmonauts”, I decided that instead of painting my own versions of classic pulp kitsch, I would do a blending of real Science with nostalgic Sci Fi elements. I brought along some of my core characters like Farrah the pink fur girl and the crabby Caturn kitties as well as a brand new cast of Waifs and Petulant Planets for this adventure.”

In the tradition of retro science-fiction magazine illustrations and film, Graves’ images take us to the space frontier of the past: ray-gun shooting explorers in old-world space suits that recall “UFO” series like “Land of the Giants” confront the perils of space ways and planetary life, complete with cool vintage-streamlined rockets and space poodles and kittens, which made one of their first appearances in 1957 film “Road to the Stars”. Although her visions are outrageous, they do have one space boot planted in reality: throughout the entire series, Graves depicts extraterrestrial life as giant, multi-colored floating protista or microscopic organisms, which is much more likely.

“I think our collective human consciousness has been evolving with our rapidly growing knowledge of Space, and basically everyone you talk to now will admit that they believe there must be some other forms of life out there,” Graves says. “So advancing that premise to the next step – what will aliens look like? For the universe of my Atomic Candy Cosmonauts instead of painting time honored little green men or iconic alien Greys, I chose to depict the Extra Terrestrial life as giant floating Protista – which here on Earth are very basic-celled, visually exquisite organisms sharing their own unique kingdom of life (not animal, plant or fungi). As much as I think it would be incredibly awesome to discover humanoid life in outer space, I feel like the most likely initial awareness of life beyond ours in our current dimension will probably be something similar – cool cellular blobs.”

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
The childhood toys of surrealist painter Geoffrey Gersten visit the Cold War era in his current exhibition at Copro Gallery, "MK-ULTRA Wars." The show coincides with Anthony Ausgang's equally whimsical exhibition "Catascopes." Gersten takes his title and inspiration from the CIA's mind control program "Project MKUltra," which illegally ran drug testing from the 1950s to early 70s. The project is used as a metaphor for Gersten's paintings, which infuse conflict into otherwise dreamy landscapes populated by candy colored characters.
Kyle Thompson is a young photographer on the rise. He began shooting at age 19 in his hometown of Chicago, Illinois, and in the last couple years has amassed a substantial body of work that shows a surprisingly adept and concise voice for such a young artist. This work, just released in a book titled Somewhere Else is comprised mostly of self-portraits taken in various abandoned locations found while on a road trip traveling the country.
It's no secret that choice of medium can significantly accent the subject of the artwork. Fumage is one of those techniques that can't be compared with anything else. By using the flame of a candle or a torch as a pencil to create his paintings with trails of soot, Steven "Spazuk" (covered here) has been creating intricate artworks for over 10 years. He is showing his latest body of work titled "Smoking Guns and Feathers" at Reed Projects gallery in Stavanger, Norway. The show is featuring his latest series of works focused on the fragility and precariousness of the species that share our biosphere. The uncertain future of these fragile "rulers of skies" is accented through use of smoke trails as a painting medium.
Matching the look of flesh has always been and is still considered one of the most demanding tasks for any artist. It is notoriously difficult for many reasons, making it a subject of intrigue throughout history. Brooklyn based sculptor Russel Cameron is a self taught artist who has made recreating flesh the primary focus of his work. His ongoing series "Flesh and Bone" explores the subtleties between skin tones, wrinkled and smooth parts, soft and rough textures, using materials like clay, paint, wood, and metal. While he sees skin and its nuances as a thing of beauty, he presents it in unsettling ways.

Subscribe to the Hi-Fructose Mailing List