Menu
The New Contemporary Art Magazine

Leilani Bustamante Illustrates the Battle Between Good and Evil in “Diabolica”

Leilani Bustamante has always balanced a romantic beauty with the darker themes in her art. The San Francisco based artist, featured here on our blog, voices themes of mortality exploring elements of death, and rebirth, and her newer works explore the loveliness of the macabre. Ripe with symbolic elements, her paintings feature figures rendered with in the tradition of classical beauties that are arranged in abstract and darkly fantastical montages.

Leilani Bustamante has always balanced a romantic beauty with the darker themes in her art. The San Francisco based artist, featured here on our blog, voices themes of mortality exploring elements of death, and rebirth, and her newer works explore the loveliness of the macabre. Ripe with symbolic elements, her paintings feature figures rendered with in the tradition of classical beauties that are arranged in abstract and darkly fantastical montages.

“As human beings curiosity of death and the dark is a part of life. I find a lot of comfort in dark themes and they fall in line with my emotions and sensitivities. I think it’s a natural and universal concept to find a little darkness in everything and everyone and throughout art history it’s easy to see why artists romanticize the dark- it is alluring, attractive and unknown,” Bustamante explains.

Her current solo show “Diabolica” at Modern Eden Gallery in San Francisco is centered around the classic battle between good and evil, illustrated in a decorative style that evokes Art Nouveau. Bustamante finds that it is struggle still relevant today: “It is a conflict that continues to rage in all of us,” she says. Her eight new paintings employ a palette of gold tones and stark blacks, displaying figures set against a refinement of design and occult patterning.

“The natural and unnatural world requires balance. As in life and death, light and shadow, above and below one cannot exist without the other. The hero is locked in a symbiotic dependency with its nemesis. Whether it is an angel, a soldier of justice where goodness is righteous or a demon, an agent of malice where destruction of morality reigns supreme both sides are ferociously absolute. These stories of the occult are as old as the theme itself.”

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Matt Furie, the artist and illustrator known for crafting (and killing) the frog character Pepe, brings his humorous and vibrant sensibilities to Nucleus Portland in a show currently running at the gallery. "Tuff Crowd" offers both crowd scenes and single portraits, all packed with Furie characters.
In the personal work of illustrator Andrew Fairclough, the artist’s cerebral explorations are infused with comic and pop influences. Stylistically, his work has a kinship with the drawings of Charles Burns or other Lowbrow luminaries, while also showing Fairclough’s love of vintage spot illustrations, retro science fiction, and "the textural wonders of degraded print."
Yuko Shimizu’s illustrations continue to captivate, whether they adorn books, magazine stories, comic book coveries, or gallery walls. The New York City-based, Japan-born artist is known for a diverse client list, from NIKE and The New York Times to Library of Congress. As usual, Shimizu shares thorough process documentation online, showing how she crafts her professional and personal work on a granular level.
Italian artist and designer Andrea Minini makes a living creating brand logos and graphics, but as a personal project the artist recently created the "Animals in Moire" series. A collection of black-and-white digital illustrations, the works take inspiration from the animal kingdom. But the shapes in these portraits of peacocks and pumas are anything but organic. Uniform curves outline the contours of he animals' faces. The creatures become abstracted and almost architectural, defined by mathematically-plotted shapes. The high-contrast, monochromatic patterns create the illusion of depth and dimension, yet the forms appear hollow and mask-like. Take a look at the fun series after the jump.

Subscribe to the Hi-Fructose Mailing List