Menu
The New Contemporary Art Magazine

Janusz Grünspek’s Sculptures Reduce Objects to their Outlines

Creating minimalistic sculptures out of wooden sticks and hot glue, Polish artist Janusz Grünspek’s series “Drawings in Space” reduces everyday objects to their most simplified states: their outlines. He makes use of negative space to suggest a transparency where opacity is expected- each of his creations is life-sized and Grünspek’s precision tempts the viewer to use them as if they were the real things.

Creating minimalistic sculptures out of wooden sticks and hot glue, Polish artist Janusz Grünspek’s series “Drawings in Space” reduces everyday objects to their most simplified states: their outlines. He makes use of negative space to suggest a transparency where opacity is expected- each of his creations is life-sized and Grünspek’s precision tempts the viewer to use them as if they were the real things.

Within Grünspek’s sculptures resides the human temptation to play a sonata on the cello, take a spin on the scooter, light up the glistening chandelier- he appeals to these everyday impulses and reminds us to appreciate material goods on a simply visual level. Additionally, his craftsmanship is mind-boggling. The meticulous and precise arrangements of these wooden sticks are wonders in themselves, beyond any conceptual intention on behalf of the artist.

The appeal of Grünspek’s work can be seen from a Marxian perspective: while we are alienated from the material goods that surround us, unsure about their inner mechanisms and unclear about the work that it took to create them, these wireframe replicas are simplifications that feel somehow more accessible to us—stripped of their complexity. Their transparency allows us to see their structures more clearly: we see what makes a Macbook from a simply aesthetic perspective. Gone are the internal intricacies- the microchips, processors, wires- we see things in light of their true forms.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
South Korean artist Su-Jeong Nam’s work, in a sense, mirrors the biological processes of her subjects. She begins with the base of color, applied with dry pigments. And then, line by line, vivid portraits of the natural world are grown. Nam says her detailed images are grounded in the familiar, yet highlight “an aspect invisible to most people, through the language of my own artistic process.” The result is metaphysical, a study of the harmony between the natural world and a broader understanding of the universe.
Alien meets House of Wax in Matthew J. Levin's melted, mutilated statuettes. The spine-chilling creatures have glistening skin stretching over elongated bones and folding over protruding ribs. Many objects appear organically self-actualized; as if the creatures emerged alone out of a solid substance. Though their appearances may be repulsive, Levin's method of positioning his small-scaled creatures in dance-like movements imbues them with a sort of grace and unearthly beauty.
Twoone, featured here, is a multidisciplinary Japanese artist currently living and working in Berlin perhaps most recognized for his animal portraits. His latest works, which he will debut in an open studio event, explore a range of new themes like psychology, anthropology, and the structure of nature, all inspired by his memories. We got to visit his studio ahead of the crowd last week, where we went behind the scenes of his process. At the moment, Twoone is experimenting with a new material - acrylic pieces that are displayed in a light box format. See more after the jump.
Vienna, Austria based artist Martin C. Herbst embraces distortion in his paintings, spanning from flat, wavy, and convex surfaces to the rounded shapes of stainless steel spheres. In his ongoing series on folded aluminum, Herbst presents classical portraiture in a new and unconventional way. This body of work is in part inspired by Mannerism, specifically the work of Mannerist painter Parmigianino, whose style emphasized elongated proportions and highly stylized poses with no clear perspective.

Subscribe to the Hi-Fructose Mailing List