Menu
The New Contemporary Art Magazine

Michael Massaia’s Strangely Organic Images of Chewing Gum

Chewing gum has a history that spans as far back as the ancient Greeks- that's how long it's been finding its way to the bottoms of our shoes, underneath tables, and just about anywhere else it can stick to. It's not a pretty sight. However, New Jersey based photographer and print maker Michael Massaia saw something oddly compelling in the shapes of chewed gum and decided to make it the unlikely subject of his latest series.

Chewing gum has a history that spans as far back as the ancient Greeks- that’s how long it’s been finding its way to the bottoms of our shoes, underneath tables, and just about anywhere else it can stick to. It’s not a pretty sight. However, New Jersey based photographer and print maker Michael Massaia saw something oddly compelling in the shapes of chewed gum and decided to make it the unlikely subject of his latest series. Massaia, featured here on our blog, first caught our attention for his photographs of melted ice cream that turned our memories of childhood summers into a powerful sensory symbol. His images of bubblegum evoke a similar feeling of nostalgia met with distaste, all of which were produced without any digital effects. Each piece is chewed and “sculpted” by Massaia himself by using his hands, tongue and teeth, after which he mounts it onto the back of glass and takes a photograph. The gum appears nothing like the colorful and flirty substance that it once was, but has a surrealistic and grotesque quality that looks more like organic matter or deep sea creatures. Suddenly, the gum has become an art material capable of surprising results that might make us look differently the next time we step in it.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Photographer Ben Zank crafts surreal portraits that are strange and at times, humorous. The subjects captured by New York City-based artist are often shown without faces, their visages disappearing into foliage or smoke, or otherwise, buried into the Earth. Instead of depending on the human face, Zank says that “the image itself is the emotion.”
Vilnius, Lithuania based photographer Ceslovas Cesnakevicius says that he first got into taking pictures for the purpose of creating his surrealistic photo-manipulations. A browse through his Facebook page will transport you into a dreamy other-world where magic is real; old-timey explorers ride hot air balloons made of puffy white clouds, while men in top hats enjoy a sunny afternoon snooze in paper sail boats. His latest series titled "The Zoo" imagines what it would be like if we shared our every day world with wild animals in whimsical black and white images.
The aspects of William Mortensen’s photography that were controversial during his lifetime—clever manipulation of imagery and dark themes—are now considered to be marks of his greatness. In the show "Witches" at Buckland Museum of Witchcraft and Magick, Stephen Romano Gallery offers both unseen work and iconic meditations on the occult from his output in the 1920s and ’30s. The exhibition runs August 3 through November 3 at the venue in Cleveland, Ohio.
Stefan Gesell, a German photographer, creates portraits that appear to be torn from the pages of sci-fi and horror novels. Using dynamic lighting and effects, the rawness and aggression of Gesell’s work makes it stand out among peers attempting to capture dystopian worlds within the same form.

Subscribe to the Hi-Fructose Mailing List