Menu
The New Contemporary Art Magazine

Lonac’s “Heartbeats” Mural Animates a Heart Pumping Blood

We've already seen murals and graffiti turned into a moving image with a simple, stop-motion animation. From Blu's elaborate 7-minute video "Muto" (Silent) to INSA's captivating graphic based "gif-ffiti" series, featured here on our blog, the idea of bringing life to walls has been a challenging one that street artists have enjoyed for years. What we haven't seen yet is a photo-realistic mural turning into animation, and Croatian artist Lonac did just that as an early Valentine's day treat.

We’ve already seen murals and graffiti turned into a moving image with a simple, stop-motion animation. From Blu’s elaborate 7-minute video “Muto” (Silent) to INSA’s captivating graphic based “gif-ffiti” series, featured here on our blog, the idea of bringing life to walls has been a challenging one that street artists have enjoyed for years. What we haven’t seen yet is a photo-realistic mural turning into animation, and Croatian artist Lonac did just that as an early Valentine’s day treat. The artist recently spent a couple of days at an unknown building location in his hometown of Zagreb, working on an impressive piece showing a beating human heart. Known for creating realistically rendered murals, his piece titled “Heartbeats” has been lauded as one of the first “animated murals” done in this style with a level of excruciating detail and anatomical accuracy, where each frame of his animation shows the heart “pumping” blood. Utilizing the actual piping found in the building, Lonac created this unique effect by painting the blood to appear to rush from one image to another. Showing all the little veins, shading, and smooth movement of this important organ, his piece is also the first one of an upcoming series of similar works planned by Lonac for this year.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
While graffiti was once considered a sign of urban blight, many artists who got their start as taggers are now becoming embraced by progressive-minded art institutions and civic organizations alike. Enter, the Richmond Mural Project, a yearly street art festival created with the intention of making Richmond, Virginia a unique contemporary art destination by fostering the creation of dozens of permanent murals. Now in its third year, the project brought international artists Chazme 718, Meggs, Onur, Ron English, Sepe, Smitheone, Ekundayo, Proch, David Flores and Wes21 to the Southern metropolis for almost two weeks of painting (June 16 - June 26). Last week, we highlighted the murals of Smithe, Proch and Ekundayo, who seemed to have gotten a quick start (see the coverage here), and today, we show more in-depth photo coverage of Meggs, Onur and Wes21, Ron English and yet another Ekundayo piece.
While some artists view yarn bombing as purely decorative, Olek (HF Vol. 29) often swathes objects in crochet to draw attention to important socio-political issues. Known for the outspoken messages in her large-scale, colorful work, she was recently invited to create a piece in New Delhi, India for the St+art Delhi street art festival. For her canvas, Olek chose one of the local homeless shelters called “Raine Basera,” which provide people with temporary lodging overnight. With the help of legions of volunteers and donations from Indian fashion labels, Olek beautified the shelter with bright yellow, purple, and red crocheted fabrics that evoke India's famously vibrant textiles. Though it's visually alluring, the piece ultimately imparts a sobering message about the reality of poverty in New Delhi — and many major cities around the world.
Dutch artist duo Telmo Pieper and Miel Krutzmann join forces as Telmo Miel, the moniker under which they've painted large-scale, surreal murals all over Europe. While well-versed in traditional figure painting, the artists distort and overlap their realistic renderings to create something dreamlike and surreal. They layer iterations of the same subject over one another in a way that evokes double-exposure photography. Telmo Miel's work, whether it contains something as morbid as an animal skull or pleasant as a beautiful human face, retains a quality of softness. The images drape over one another like sheer, silky fabrics, enveloping buildings in their dreamy haze.
Brooklyn based artist Ray Bartkus has toyed with the idea of reflections in his paintings, drawings and street art work, but not quite like this. When he was invited to paint a building along Šešupė River in Marijampole, Lithuania, the idea to paint it upside down was undeniable. "I never did anything with the reflection in the river before, but since the building was next to it, it was kind of an obvious thing to consider," he says.

Subscribe to the Hi-Fructose Mailing List