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Kati Williams’ Portraits of Nature Deities Inspired by Old Master Painters

Having only recently shifted her focus from sculpture to oil painting, Austin based painter Kati Williams will be a new name to most of our readers. Her dramatically lit images of mythological figures are heavily influenced by Baroque painting and the old masters of Romanticism, and a visit to her instagram will catch her admiring contemporary artists like Roberto Ferri and Brad Kunkle (featured in HF Vol. 25), who are also applying antiquated techniques. Though the difference between three-dimensional sculpture and two-dimensional painting is substantial, Williams likens the process of painting to building a sculpture, where she meticulously layers colors and glazes until eventually, light forms out of utter darkness.

Having only recently shifted her focus from sculpture to oil painting, Austin based painter Kati Williams will be a new name to most of our readers. Her dramatically lit images of mythological figures are heavily influenced by Baroque painting and the old masters of Romanticism, and a visit to her instagram will catch her admiring contemporary artists like Roberto Ferri and Brad Kunkle (featured in HF Vol. 25), who are also applying antiquated techniques. Though the difference between three-dimensional sculpture and two-dimensional painting is substantial, Williams likens the process of painting to building a sculpture, where she meticulously layers colors and glazes until eventually, light forms out of utter darkness. Her paintings clearly incorporate the innovations of different traditions of art from the past, but at the same time they are also very contemporary. Framed by intimate and closely cropped compositions, her freckle faced deities take command over elements like air, water, fire and mossy earth with a boldness that surpasses their classical predecessors. She says, “I find endless inspiration from human nature and its propensity to personify concepts that are bigger than one can comprehend. Giving these concepts faces, I suppose, helps us relate and understand better how they fit into our life’s meaning. I believe this is why people are drawn to myths, fairytales, or religion. They all have lessons woven into them about the mysteries in life and its purpose.” Kati Williams is now showing new works, alongside Dennis Mcnett aka “Wolfbat”, at Artists Republic in Laguna Beach, CA through February 14th, 2016.

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Roberto Ferri is known for his poetic imagery imbued with references to Baroque painters such as Caravaggio and other old masters of Romanticism. His work focuses on the coexistence of good and evil, sacred and profane in both our daily life and our subconscious. In this light, the emotional intensity of his depictions reveals an attempt to connect the parallel dimension, where his almost-theatrical representations take place in a socio-psychological present. The psychological aspects of his figures are projections of different phases that the human soul goes through during its ongoing transformation.
There is a magical quality to Brad Kunkle's paintings that is difficult to capture online and in print alone. The Brooklyn based painter combines oil painting with gold and silver leaf to create ethereal visions of women, often in a state of transcendence or as if they are on some spiritual quest. We first featured Brad Kunkle in Hi-Fructose Vol 25, who seeks to go beyond the limits of the ordinary human experience. Looking at his art requires a deepening of our perceptions, and to filmmaker Brennan Stasiewicz, it holds a humanizing power.
Painter Brad Kunkle (featured in HF Vol. 25) delves further into his exploration of spirituality and ritual with his latest solo show, "The Belonging," opening at Arcadia Contemporary in New York on December 11. The artist combines oil paint with gold and silver leaf to create ethereal visions of women traversing windy fields. They seem to be on spiritual quests. We see them being lifted off the ground, their expressions knowing yet still enraptured, as glistening gusts of leaves and feathers sweep them away into the heavens.
If Daniel Merriam's watercolors were books, they would be fairytales once upon a time in a far away European dreamland. The painter, who is currently exhibiting at AFA Gallery (covered here), compares his process to a writer's. In our recent interview, Merriam told us about the influence of 17th and 18th century Baroque architecture on his works which he draws from memory.  Although imaginary, his elaborate structures must be believable in their world, and he builds them out carefully as a point of reference. In this sense, one could also call him an architect.

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