Menu
The New Contemporary Art Magazine

Jan Kaláb aka “Point” Translates His Graffiti Writing into Geometric Spheres

You may know Czech artist Jan Kaláb, aka "POINT" (used for his sculptures), aka "Cakes" (used for his traditional graffiti), and the founder of street art crew the "DSK". He is credited as one of the first artists to bring urban art into Eastern European countries after the borders opened up in the early 90s. Kaláb's work has seen an evolution since his abstract graffiti writing, where in recent years, he has translated his street art style onto canvas and hand-painted geometric sculptures.

You may know Czech artist Jan Kaláb, aka “POINT” (used for his sculptures), aka “Cakes” (used for his traditional graffiti), and the founder of street art crew the “DSK”. He is credited as one of the first artists to bring urban art into Eastern European countries after the borders opened up in the early 90s. Kaláb’s work has seen an evolution since his abstract graffiti writing, where in recent years, he has translated his street art style onto canvas and hand-painted geometric sculptures. He refers to his sculptures as “3D Graffiti”, infinite spheres that break the two-dimensional surface of his paintings. Exhibited together, his paintings and sculptures illustrate an abstract world of forms and the relationship between those forms. Kaláb is currently showing a new series of eight paintings and a sculpture in his solo exhibition, “TENSION” at BC Gallery in Berlin, Germany. Here, the planet Earth is presented as a sphere itself, which has been constantly shifting and changing its surface since the beginning of time. The exhibit is an extension of the artist’s overall narrative about the relationship between this naturally occurring tension and that which occurs in our daily lives. “TENSION” by Jan Kaláb is now on view at BC Gallery through January 23rd, 2016.

“TENSION”:

Additional works:

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Italian artist Lorenzo Quinn unveiled a new sculpture at Ca' Sagredo Hotel during this year's Venice Biennale. "Support," an enormous sculptural installation that appears to emerge out of the Grand Canal, appears as enormous, white hands. The work aims to display how humans have the ability and opportunity to “change and re-balance the world around them.” In particular, the hands are commenting on the urgency of climate change.
Matthias Gephart is a graphic designer and illustrator based in Berlin, Germany, who is revisiting his roots in graffiti in a project that incorporates his creative interests. "Stylewise, my personal background is the underground and alternative music scene, graffiti writing and Dadaist collage," Gephart shares. Since 2010, he has been transforming neglected spaces with his graffiti that combines graphic design and collage visuals, taking the idea of mural painting to the expanse of an entire room. He calls this project "The Magic Moment."
Combining his own creativity and digital techniques, Dutch artist Bert Simons makes incredibly lifelike sculptures of the people around him out of paper. His paper portraits share an uncanny resemblance, and as the technology has improved over the years, so has the quality of the Rotterdam-based artist's works. Each portrait first begins with outlining his subject in little black dots (a "dot per dot" reference method) that are then scanned into the open source cad program Bender to create a "map" of the face, to which he applies color and texture. Simons then prints a flat rendering that is like a little work of art in its own right, a mask that he painstakingly cuts and glues back together again into the pieces you see here.
Graham Caldwell's glass-blown, welded sculptures gleam like insect eyes, refracting the viewer's reflection into myriad distorted parts. The Washington D.C.-based artist works with hypnotizingly shiny surfaces, which he arranges into shapes that resemble various natural processes. In one piece, teardrop-shaped glass vessels explode from a central point like a flower blossom. In others, irregular, prismatic arrangements of multi-colored glass coalesce into crystal-like shapes. While Caldwell's work at times evokes the natural world, his final products are sleek and oftentimes look manufactured despite his hand-done processes.

Subscribe to the Hi-Fructose Mailing List