Menu
The New Contemporary Art Magazine

Jamie Bates Slone’s Multi-colored Sculptures Embody Illness

There's something oddly beautiful about the work of Kansas based artist Jamie Bates Slone. Her vibrant sculptures are teaming with diseased growths and discolorations, and the effect is simultaneously fascinating and horrifying. Slone can relate to the physical and emotional impact that disease brings. "Through conjured memory, I revisit my family’s history with illness and premature death. These memories are flooded with emotion and anxiety that I use as the base of my sculptural work," she says.

There’s something oddly beautiful about the work of Kansas based artist Jamie Bates Slone. Her vibrant sculptures are teaming with diseased growths and discolorations, and the effect is simultaneously fascinating and horrifying. Slone can relate to the physical and emotional impact that disease brings. “Through conjured memory, I revisit my family’s history with illness and premature death. These memories are flooded with emotion and anxiety that I use as the base of my sculptural work,” she says. Each figure that she creates is life-size, typically made of stoneware clay, onto which she adds strange swellings and festering sores. She also features her sculptures in video installations, where psychedelic projections engulf and overwhelm them in a reenactment of her anxieties about illness. Slone sees the skin’s surface as a reflection of what’s going on underneath. “These surface choices are derived from high-color contrast scanning electron micrograph images of cancer cells and their inherently grotesque and psychedelic appearance,” she explains. “Everything is exaggerated. Life. Cancer. Growth. It’s all a repeating and continuous cycle of being wary of the future and empathetic of the past.”

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Last week, the Metropolitan Museum of Art unveiled a new large-scale installation by artist Dan Graham entitled Hedge Two-Way Mirror Walkabout. The S-shaped, maze like structure sits between two ivy hedgerows at the center of the museum’s rooftop garden – the terrain of which has been transformed through collaboration with Swiss landscape architect Günther Vogt. To complement the new site-specific installation, several of Graham’s related projects spanning over the past 35 years are also on display inside the Met’s modern and contemporary art galleries. The special exhibit and rooftop commission will remain on display until November 2. Read more and check out our exclusive preview photos after the jump.
On Saturday at Mark Moore gallery, Rob and Christian Clayton aka Clayton Brothers brought together an expansive body of eclectic work, "Open to the Public" (previewed here). The exhibition includes everything from miniature drawing, painting, sculptures, interactive video and an installation that is like a twisted child's playroom. The brothers credit their thrift shop "mecca", the Sun Thrift Store in Sunland, CA as the visual inspiration.
Nothing beat a cardboard box growing up because it wasn't just made of cardboard. Cardboard could instantly become your ticket to a rocket on the moon or your dream fortress where you ruled the world. Using this simple material and a lot of imagination, artist duo Zoey Taylor and David Connelly have built the world they wish to live in. They call it "The House of Cardboard", better known as "Dosshaus". The two (or as they say, "Les Deux") first met in 2010 and it was a match made in heaven that works together as a team, cutting and gluing together the cardboard pieces into life size installations, which feature the creative couple living in a monochromatic black and white house.

Subscribe to the Hi-Fructose Mailing List