Yoshimitsu Umekawa’s photographs look like pictures of a pop-colored apocalypse. The forms in his images appear vibrant and swirling at first, but then evoke an underlying darkness. In the studio, Umekawa’s process is similar to another photographer, Kim Keever, creating images inside of a fish tank and then coloring them digitally. His ‘clouds’ come in a variety of colors and iterations, and he has photographed 100 of them so far. He calls them “Incarnations”- visible parts of his experience as a young person living in Tokyo, with a nod to Japan’s past which is no stranger to catastrophe. “I am trying to convert some problems happening on a daily basis, including social problems that I feel in Japan,” he told Hi-Fructose in an email. “The reason why I chose the series is because I feel strongly that my inspiration, based on my spiritual experience, sympathized with the ‘murky’ elements of Japan.” It is unsurprising that we should find “murkiness” in his work, considering events like the 2011 Tōhoku earthquake and tsunami, and subsequent nuclear disasters that have led to public outcry. However, Umekawa’s viewpoint is not a purely negative one. The world is a place where good and evil coexists in harmony, something that he also hopes to illustrate in his photos. “Each has a character, and that can change depending on who is looking,” he says.
The use of multiple-exposure techniques to create eerie, ghostlike effects in photography and film is a trope that most of us are familiar with. The work of photographer 
The aspects of William Mortensen’s photography that were controversial during his lifetime—clever manipulation of imagery and dark themes—are now considered to be marks of his greatness. In the show "Witches" at Buckland Museum of Witchcraft and Magick, Stephen Romano Gallery offers both unseen work and iconic meditations on the occult from his output in the 1920s and ’30s. The exhibition runs August 3 through November 3 at the venue in Cleveland, Ohio.
On April 30th,