Menu
The New Contemporary Art Magazine

Randy Hage Miniaturizes Fading Storefronts in “Facade”

Randy Hage caught our attention earlier this year for his stunning mixed-media miniatures of New York, which he then photographs. You may find yourself giving his work a second and third take, even after discovering its true size, with most pieces measuring at 1/12th scale. Working primarily in wood, plastic, resin and metal, Hage draws upon the disciplines of his formative years as a prop maker in the TV/Film industry. What began as an experiment in miniaturizing local structures, particularly cast iron buildings, has turned into what he calls a "documentary project." He will exhibit his latest series in his exhibition "Facade", opening at Flower Pepper Gallery in Los Angeles on October 10th.

Randy Hage caught our attention earlier this year for his stunning mixed-media miniatures of New York, which he then photographs. You may find yourself giving his work a second and third take, even after discovering its true size, with most pieces measuring at 1/12th scale. Working primarily in wood, plastic, resin and metal, Hage draws upon the disciplines of his formative years as a prop maker in the TV/Film industry. What began as an experiment in miniaturizing local structures, particularly cast iron buildings, has turned into what he calls a “documentary project.” He will exhibit his latest series in his exhibition “Facade”, opening at Flower Pepper Gallery in Los Angeles on October 10th. Each piece is hyper-realistically modeled after an actual facade, down to their hand-painted signs and graffiti tags, and in doing so, Hage documents each one before it gets torn down. He averages that about 60% of the buildings that he documents go out of business. “Knowing the intimate details of a structure, understanding the decay and what it went through, the rehabs, the people who owned the building and the business, that intimacy gives me a closeness with New York,” Hage says. “It’s kind of like when someone tells you a secret.”

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Sculptor Alex Chinneck has a string of major projects as part of Milan Design Week, including this massive intervention that the artist calls “the most ambitious work I’ve ever made.” His other work, whether "unzipping" a concrete floor or a factory wall, carry this motif. (Photography of his Milan Design Week work by Marc Wilmot.)
Multidisciplinary artist Melissa Meier combines sculpture, photography, and other forms with surreal—and at times, visceral—results. Whether it's the wearable, egg-filled sculptures in her "Skin" series or the unsettling masks in "Glass-Eyes," Meier is able to create otherworldly looks tethered to the natural world.
Boston based sculptor Jenine Shereos often uses fiber and textile processes to create her intricate artworks. Her latest series uses a more unusual material - her own hair. "Leaf Series" portrays the patterned lace-like skeletons of dead leaves with excruciating detail. Shereos discusses her inspiration and process at her website: "Inspired by the delicate and detailed venation of a leaf, I began stitching individual strands of hair by hand into a water- soluble backing material. At each point where one strand of hair intersected another, I stitched a tiny knot, so that when the backing was dissolved, the entire piece was able to hold its form. Creating this work was a very meditative process for me, as I found myself lost in the detail of the small, organic microcosms that began taking shape."
"I want to do with carpets anything that I can with all the instruments that exist, so no one can even do anything with them in the coming 100 years,” boldly declared Azerbaijani artist Faig Ahmed in an email, as if penning his personal manifesto... Read the full article on the artist by clicking above!

Subscribe to the Hi-Fructose Mailing List