Menu
The New Contemporary Art Magazine

Soey Milk’s Subjects Blossom in her Upcoming Solo, “Pida”

Los Angeles based artist Soey Milk paints confident young women in boldly colored clothing inspired by the imagery of her Korean heritage. Featured here on our blog, her slightly amorous oil portraits are imbued with mystery and personal discovery. On October 1st at Hashimoto Contemporary in San Francisco, Milk explores her intimate world with a new series of paintings and drawings. In the tradition of previous exhibits, the series is titled in her native Korean "Pida (피다)", which translates to blossoming or becoming something else.

Los Angeles based artist Soey Milk paints confident young women in boldly colored clothing inspired by the imagery of her Korean heritage. Featured here on our blog, her slightly amorous oil portraits are imbued with mystery and personal discovery. On October 1st at Hashimoto Contemporary in San Francisco, Milk explores her intimate world with a new series of paintings and drawings. In the tradition of previous exhibits, the series is titled in her native Korean “Pida (피다)”, which translates to blossoming or becoming something else. Milk underwent her own sort of personal “blossoming” with her 2014 solo “Sinavro”, where she reflected on her feelings as a budding artist. She continues this self exploration with “Pida”, where we find young girls in various stages of undress, becoming familiar with their growing bodies. Like a flower in spring, they seem to bloom as their decorative garments are slowly peeled away in layers, while leafy stems sprout out of the background.

“Pida” by Soey Milk will be on view at Hashimoto Contemporary in San Francisco from October 1st through 24th, 2015.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Meghan Howland is an oil painter currently working from her studio in Portland, Maine. With a pragmatic approach to creating, Howland shares with Hi-Fructose that painting allows her to express herself in ways that words simply cannot. While painting, she reflects on human spirituality and nature by studying the relationship of humanity to other organisms. Join us now as we get an exclusive look into Meghan Howland’s latest paintings, as well as a few of her thoughts about them.
In cartoons, when a character is having a bad day, or particularly depressed, he will have his own small dark cloud following him, often raining and occasionally hitting him with lightning. The more depressed he is, the more it will be just rain, while lightning often indicates an angry mood. The figures and objects in the oil paintings of Toronto based artist Yang Cao must be particularly moody. He paints fantastical still life and portraits of people with their own personal rainclouds. "I like the unpredictability of the cloud. It’s shapeless and changes all the time, it follows the wind and never stays in one form and place. Somehow I find this as a resemblance to our human nature and mind. Sometimes I wonder about the relationship between clouds and winds in comparison to people and society," he says.
With “Feast of Totems,” oil painter Emily Mae Smith examines and deconstructs motifs from art history, "claiming space for feminine subjectivity” and often featuring a multi-representational “Broom” character. The show kicks off on June 9 and runs through July 14 at the gallery Contemporary Fine Arts in Berlin.
Van Arno’s latest series, “Upright,” represents yet another evolution for the painter, who has worked professionally for two decades and taught for five years. Arno was last featured on HiFructose.com here.

Subscribe to the Hi-Fructose Mailing List