Menu
The New Contemporary Art Magazine

Mark Dean Veca’s Latest Mural Pays Tribute to His First Car

Habitat for Humanity in Michigan is giving artists the opportunity to turn underutilized structures turn them into art. One of them is HF Vol. 23 featured artist Mark Dean Veca, whose contribution is curated by Paul Amenta of SiTE:LAB, a local volunteer arts organization of site-specific works. For the project, Veca created an award-winning mural installation entitled "Pony Show" which will be unveiled on September 25th.

Habitat for Humanity in Michigan is partnering with artists to turn underutilized local structures into art. One of them is HF Vol. 23 featured artist Mark Dean Veca, whose contribution is curated by Paul Amenta of SiTE:LAB, a local volunteer arts organization of site-specific works. For the project, Veca created an award-winning mural entitled “Pony Show” which will be unveiled on September 25th. Veca’s street art can be easily spotted for his psychedelic treatment of 70s and contemporary imagery, particularly corporate logos and cartoon characters. His “Pony Show” mural is so named for the unmistakable Ford Mustang logo that it features, reinterpreted in bright candy apple red, black and gold colors. The mustang has a personal meaning to Veca because it was the artist’s first car. In his show statement, he shares, “it is a shrine to the American Car,” and our fantatical and perhaps dangerous devotion to the automobile. Framed by Baroque inspired patterns, Veca describes his latest work as “Pop-Baroque” – an amalgamation of Baroque’s elaborate design and energy united with the style of 1960s pop poster art. “Pony Show” can be found at a former auto repair shop in the Roosevelt Park neighborhood, part of SiTE:LAB’s The Rumsey Street Project, until Habitat for Humanity redevelops the property in 2017.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Hi-Fructose Vol. 23 featured artist Mark Dean Veca's colorful, dynamic paintings pop off the page in bright red, orange, and turquoise hues, with curvaceous lines inspired by the underground comic world. His work incorporates everything from pop culture references like Tony the Tiger and Scrooge McDuck to Americana elements like the Lincoln Memorial to the American Flag, to religious iconography including skulls, Buddhas, and Ganeshas - all filtered through his own gaze. The Los Angeles based artist is now in Virginia, where we've invited him to create special installation for the Turn the Page: The First Ten Years of Hi-Fructose, opening tonight at Virginia MOCA.
Strong, clean lines and cubist inspired characters in vivid colors have long been the main signifiers of Berlin based artist James Reka's, aka Reka's, paintings. His previous works, featured here on our blog, depict geometrical figures but the choice of colors, the backgrounds, and the style have dramatically changed over the past few years. His graffiti background is becoming less evident as Reka is increasingly interested in abstraction, and his new work may be his most enigmatic.
Buenos Aires based artist Nicolás Romero, aka "Ever Siempre" or "Ever", began his career painting letter-based graffiti which has since evolved into colorful, figurative oil paintings. His portraits of every day people, family members, and political figures are usually based on images that he finds on the internet, then reinterpreted into surrealistic paintings that echo his street art. Self-described as "obsessive" about the human body and experimentation with its form, Ever brings a certain personal mythology to his subjects.
We first met São Paulo, Brazil based artist Celso Mazo, aka Mazu Prozak, or simply "Prozak", while exploring the streets of Wynwood in Miami earlier this month. The Brazilian graffiti painter was still working on his mural in the Smashed Canvas art block, but it grabbed our attention because his didn't look like the rest. From a distance, his piece emulated the soft and organic effect of ink or watercolor, rather than those of his neighbors who were using acrylic spray paint and stencils. Using layers of cartoony bubbles, other times light washes, Prozak's murals play with color relationships that he relates to human emotions.

Subscribe to the Hi-Fructose Mailing List