Menu
The New Contemporary Art Magazine

Amazing Digitally Rendered Organisms by Six & Five

What makes some of us feel repulsed may be a thing of a beauty to others. That seems to be the case with Buenos Aires based studio and artist collective Six & Five's latest work. The group has designed a beautifully disturbing series of digital creatures that they call "Morbo". Inspired by oceanic organisms, the Morbo are all that remain of a recently-occurred apocalypse, discovered on toxic beaches during low tide. They are strangely alluring in their hyperrealism.

What makes some of us feel repulsed may be a thing of a beauty to others. That seems to be the case with Buenos Aires based studio and artist collective Six & Five’s latest work. The group has designed a beautifully disturbing series of digital creatures that they call “Morbo”. Inspired by oceanic organisms, the Morbo are all that remain of a recently-occurred apocalypse, discovered on toxic beaches during low tide. They are strangely alluring in their hyperrealism. Designers Andy Reisinger and Ezequiel Pini admit, “We realized that it generated a lot of confusion in the viewer, as some thought they were photographs of actual items… others believed that they were hyperrealistic paintings.” The Morbo are created out of white clay using a 3D modeling process, lit, photographed, and then digitally assigned various textures and materials. The result is an image of a strange object made of fragments that look unbelievably natural, but are entirely digital.

Before digital application:

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Italian artist Lorenzo Quinn unveiled a new sculpture at Ca' Sagredo Hotel during this year's Venice Biennale. "Support," an enormous sculptural installation that appears to emerge out of the Grand Canal, appears as enormous, white hands. The work aims to display how humans have the ability and opportunity to “change and re-balance the world around them.” In particular, the hands are commenting on the urgency of climate change.
Trypophobia is the pathological fear of irregularly shaped holes. If looking at sponges, beehives, and raw meat makes you squirm, please look away. Colin Christian exploits people's innate discomfort with porous organic matter in his new work for his January 3 solo show, "Trypophobia" at Stephen Romano Gallery in Brooklyn. While Christian's doll-like sculptures have been featured on our blog many times, this is his most grotesque body of work yet. Toothy holes gnaw at the silicone flesh of his large-scale characters as if an alien parasite has invaded their bodies. Some of the sculptures feature close-ups of festering skin, which Christian displays in a medical fashion. He is clearly unafraid to repulse viewers with this exhibit.
When we think of beauty in nature, we immediately think of things that dazzle the senses- the prominence of a mountain, the expanse of the sea, the unfolding of the life of a flower. For Polish artist Aneta Regel, there is also a beauty in nature's unpredictability: it's ability to "sculpt" rock formations from weathering and erosion, or the dense arrangements of moss on a tree branch. The London based ceramist challenges our perceptions with her work and makes us interested in these overlooked transformations.
Wilfrid Wood, the East London-based sculptor, crafts absorbing, occasionally hilarious faces and figures from paper mache, plasticine, and polymer clay. Whether it’s Mark Zuckerberg, 2016 Olympians, or less public figures, there’s both humanity and vulnerability in Wood’s work. Since the end of the satirical television show "Spitting Image," on which Wood worked to help craft the heads in the puppet program, the artist has worked as a freelance sculptor.

Subscribe to the Hi-Fructose Mailing List