Menu
The New Contemporary Art Magazine

Dave Kinsey Presents Geometric Landscapes in “The Modern Condition”

Los Angeles based artist Dave Kinsey (HF Vol. 13) will debut geometric landscapes in his upcoming solo exhibition with FFDG Gallery in San Francisco on Friday. In "The Modern Condition", Kinsey continues to walk the line between the natural world and his abstract perceptions of it. His exhibit features 9 acrylic and collage works on canvas that portray boldly colored giant figures and structures erupting from a barren environment.

Los Angeles based artist Dave Kinsey (HF Vol. 13) will debut geometric landscapes in his upcoming solo exhibition with FFDG Gallery in San Francisco on Friday. In “The Modern Condition”, Kinsey continues to walk the line between the natural world and his abstract perceptions of it. His exhibit features 9 acrylic and collage works on canvas that portray boldly colored giant figures and structures erupting from a barren environment. These images are an expansion from his previous showing with the gallery, “Cushion of Memory”, where Kinsey took inspiration from his west coast surroundings. “The most difficult thing about creating a painting is going through the process of finding a connection in what I see and feel in the world around me, while also seeking a visual harmony between the beauty and chaos of the human experience,” he shares. The ‘modern condition’ is sometimes characterised as a culture stripped of its capacity to function in any linear state. With these visually layered pieces, Kinsey seems to search for a link between our understanding of our existence with that of the world around us. Take a look at some of the work in the show below.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Exploring the reality of "distorted or inaccessible memories," Eliana Marinari applies several layers of aerosol acrylic paint over ink and pastel drawings. In the artist’s “Recognition Memory” and “Recollection” series, portraits and still-life works are given this treatment, respectively. The resulting work is both haunting and brings reflection on our own limitations, as viewers.
Chicago based Jennifer Presant merges familiar, everyday places into mysterious landscapes. Her subjects vary from displaced household items and exposed figures in non-sensical, dramatically lit spaces. Looking at her work, we find ourselves staring into overwhemingly quiet scenes, such as an empty bedroom in the wilderness or middle of the ocean. Presant calls this mixture of environments a "visual metaphor" which symbolizes our ongoing experiences of time, memory, and relationship with physical space.
Max Seckel’s dwellings and landscapes, rendered in acrylics, gouache, latex, and spraypaint, invite viewers to make their own observations. The New Orleans painter rendered his lived-in environments without depicting any figures in his works. Yet, in each, there’s a certain humanity depicted and reflection inspired.
Firelei Baez blends an array of techniques and materials to explore culture and femininity. Often using the figurative form as a base, she subverts the viewers’ expectations by implementing several textures, patterns, and materials. The artist says that her massive, meticulously crafted works on paper are "intrinsically indebted to a rigorous studio practice." Baez was last mentioned on HiFructose.com here.

Subscribe to the Hi-Fructose Mailing List