Menu
The New Contemporary Art Magazine

Steve Kim’s Color Blocked Illustrations Capture the Virtual Experience

Los Angeles based artist Steve Kim creates haunting, colorful digital and ink illustrations mostly inspired by his virtual experiences. The majority of his pieces focus on a variety of modern themes, some sounding straight out of science fiction, including body possession to portraits of users that catch his eye on Tumblr. His interest in this type of subject matter undoubtedly rubs off of his professional work for clients such as tech blog Polygon and the Verge. See more after the jump!

Los Angeles based artist Steve Kim creates haunting, colorful digital and ink illustrations mostly inspired by his virtual experiences. The majority of his pieces focus on a variety of modern themes, some sounding straight out of science fiction, including body possession to portraits of users that catch his eye on Tumblr. His interest in this type of subject matter undoubtedly rubs off of his professional work for clients such as tech blog Polygon and the Verge. For example, his vibrantly colored piece “Body Tourist,” portrays a female scientist inhabiting the body of a young, virile man. Set against a magenta background, Kim closes in on the face which becomes fragmented into a splash of cyan. Throughout all of his art, he shows an interest in color relationships, often overlapping large bands of the CMYK color model and playing with negative space. Another piece, untitled, imposes a skull onto a floating Bitcoin in a slightly eerie image meant to personify Satoshi Nakamoto, the currency’s creator. While more subdued, it represents the overall ethereal quality in Kim’s scenes, which exist somewhere between the real and virtual realm.


detail


detail

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Shamus Clisset, who works under the moniker Fake Shamus, crafts all-digital works that only appear to be sourced from photographs. Taking inspiration from pop culture, historical objects, and other Western elements, he creates figures and scenes with unclear origins. His practice touches modeling, rendering, and animation.
Tel-Aviv-based artist Ori Toor creates prints and animations that rely on happy accidents. His so-called “gibberish” prints are unplanned and unsketched. These vibrant, trippy works merely stumble upon familiar icons and forms, creating final products that both exhibit a single vibe and can be seen as disparate, otherworldly sections.
Mark Gmehling's 3D-rendered creations are instantly recognizable for their playful textures: rubbery legs that weave and stretch; gummy bodies that bounce off the floor; goo that drips and metal that glimmers. The artist (see our extensive interview in our current issue, Hi-Fructose Vol. 32) began as an analog illustrator and even cites graffiti as an early influence. These days, his digital illustrations lay the groundwork for prints, murals and sculptures. Gmehling has an exhibition titled "Plastic" opening tonight at RWE in his hometown of Dortmund, Germany filled with satirical, off-kilter pieces.
Mahmoud Jouini's digital artworks are filled with sweeping bird's eye views that look like something one might see while cruising in a helicopter over Jupiter. The Libyan artist and graphic designer created this series using 3D modeling software, though certain pieces look like extreme close-ups of bacteria under a microscope or perhaps otherworldly landscape photography. Jouini's uses acidic colors that swirl in oil slick-like patterns; forests of mysterious growths punctuate his fluorescent lagoons. Virtually uninhabited, his toxic planet looks simultaneously inhospitable and alluring.

Subscribe to the Hi-Fructose Mailing List