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The New Contemporary Art Magazine

Hi-Fructose Volume 36 Preview!

Our 36th volume of Hi-Fructose New Contemporary Art Magazine arrives in July! Featured in our next print issue is: a major feature on art pioneer Robert Williams, the colorful installations of Pip & Pop, a review of cover artist Kehinde Wiley's new monograph, Erin M. Riley's embroidered selfies, Chiho Aoshima's solo exhibition in Seattle, Cinta Vidal Agullo's mesmerizing paintings, new works from Portland artist Blaine Fontana, the paintings of Mike Davis, a thought provoking article on the art and travels of street artist Swoon, plus reviews on the Sick Rose; featuring medical illustrations from tester-year and much more! Also, We're thrilled to present this issue's special 16-page insert section featuring Winnie Truong's beautifully strange color pencil drawings, all in one issue!

Cover artist: Kehinde Wiley

Our 36th volume of Hi-Fructose New Contemporary Art Magazine arrives in July! Featured in our next print issue is: a major feature on art pioneer Robert Williams, the colorful installations of Pip & Pop, a review of cover artist Kehinde Wiley’s new monograph, Erin M. Riley’s embroidered selfies, Chiho Aoshima’s solo exhibition in Seattle, Cinta Vidal Agullo’s mesmerizing paintings, new works from Portland artist Blaine Fontana, the paintings of Mike Davis, a thought provoking article on the art and travels of street artist Swoon, plus reviews on the Sick Rose; featuring medical illustrations from tester-year and much more! Also, We’re thrilled to present this issue’s special 16-page insert section featuring Winnie Truong’s beautifully strange color pencil drawings, all in one issue!

Pre-Order our next issue here, and see more sneak peeks below.

Swoon

Blaine Fontana

Chiho Aoshima

Cinta

Mike Daris

Erin M. Riley

Pip & Pop

Winnie Truong

Robert Williams

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Toronto-based artist Winnie Truong (featured on the cover of Hi-Fructose Vol. 22) began drawing unruly, prolific hair as a way to interrogate Western beauty standards. As her body of work evolved, her depictions of hair became more sculptural and intricate. Hair became the medium to test the bounds of form and line. Her latest colored pencil drawings place more emphasis on the abstract arrangements of waves and curls than on the hairstyle's wearer. Truong's current solo show, "Invisible/Visible" is on view at Erin Tump Projects in Toronto through December 20.
Painter Kehinde Wiley was recently chosen by former President Barack Obama to paint his official portrait for the Smithsonian National Portrait Gallery. Wiley should be familiar to Hi-Fructose readers: His work appeared on the cover of Hi-Fructose Vol. 36 and was featured in the exhibition “Turn the Page: The First 10 Years of Hi-Fructose.”
Tanya Schultz creates vibrant, immersive installation art under the moniker Pip & Pop. This month, the artist unveils her U.S. debut exhibition at Corey Helford Gallery in Los Angeles. "Here Comes Sunshines" kicks off on Jan. 13 and runs through Feb. 17. Pip & Pop was prominently featured back in Hi-Fructose Vol. 36, in a multi-page feature story.
Winnie Truong's explorations of the female form and its relationship to nature evolve with a new show at VivianeArt. The collection of mixed-media works, implementing colored pencil, pastel, and collage, are displayed under the title "Perennials." The show kicks off April 27 and runs through June 9. Truong was last featured on HiFructose.com here.

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