Menu
The New Contemporary Art Magazine

See-Through Churches by Architecture Duo Gijs Van Vaerenbergh

The shape of a church is indefinitely sketched into the landscape in the latest project by architecture duo, Gijs Van Vaerenbergh. Comprised of Belgian architects Pieterjan Gijs and Arnout Van Vaerenbergh, their series of see-through churches, "Reading Between the Lines," are not intended to be functional as shelter. They are more like sculptures that borrow design inspiration from local churches' architecture in the area. See more after the jump!

The shape of a church is indefinitely sketched into the landscape in the latest project by architecture duo, Gijs Van Vaerenbergh. Comprised of Belgian architects Pieterjan Gijs and Arnout Van Vaerenbergh, their series of see-through churches, “Reading Between the Lines,” are not intended to be functional as shelter. They are more like sculptures that borrow design inspiration from local churches’ architecture in the area. The result is an experimentation with physical space, and depending on your perspective, the churches can be perceived as massive buildings or illusions that are dissolving into their environment. From the interior of the space, the environment is broken up into abstract “lines” which the viewer is encouraged to look through and gain a new outlook on his or her surroundings. Through this visual experience, Gijs Van Vaerenbergh test the definitions of what we consider to be architecture and traditional art.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Jason deCaires Taylor has spent more than a decade crafting underwater sculptures that create living reefs, improving the surrounding ecosystem at a time when 40 percent of coral reefs have disappeared over the past decades. His recent pieces including 48 life-sized figures in Indonesian waters and a recently installed an initial phase of his underwater art museum, The Coralarium. Taylor last appeared on HiFructose.com here.
Featureless, animal-like characters populate the works of Brendan Monroe. He renders them with visceral textures and biomorphic shapes that evoke some sort of primordial goop from which life emerged. While the Oakland-based artist is known for creating paintings, drawings and wooden sculptures, he recently collaborated with Los Angeles studio Heath Ceramics on a series of ceramic works that will be exhibited in "Blobography," his solo show opening on November 1 at the same location.
Using his “Emotigun,” Tadas Maksimovas offers a look at how our need for constant affirmation would appear in the physical realm. This "motor-powered, remote-controlled machine slingshot" was created by Maksimovas, designed by Martijn Koomen, and had its first prototyped version crafted by YouTube star Jorg Sprave. In the video below, Maksimovas offers himself as a target.
While Dirk Staschke's past work has had a meticulously polished look, his latest series of sculptures for his upcoming solo show, "Executing Merit" at Seattle's Winston Wachter Fine Art, reveal the rough-hewn edges of his process. Staschke (whom we featured in HF Vol. 23) creates opulent ceramic still lifes that evoke 17th-century vanitas paintings. In his previous pieces, he labored to conceal the evidence of his hand-executed process. His latest work, however, juxtaposes pristinely glazed forms with unglazed, unrefined surfaces, exposing the craft behind Staschke's typically immaculate work. "Craft and skill have always been important in my work and by examining this further my recent sculptures have become an exercise in relinquishing control," wrote Staschke in his artist statement. "Executing Merit" opens on March 3 and will be on view through April 15.

Subscribe to the Hi-Fructose Mailing List