Lebanese photographer Serge Najjar notices geometric patterns in his day-to-day surroundings. Based in Beirut, his photographs capture instances of minimalist architecture with an emphasis on symmetry and repetition. But despite its focus on clean designs, his work includes evidence of human inhabitants in these austere edifices. With people peaking out of their doors and windows, the buildings come alive. The people in his work add individuality and quirkiness to his otherwise highly stylized presentation of Beirut, where cultural context is stripped away to highlight the city’s modern, architectural elements.
Though their work can be described as digital art, 
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The paper dress captured the vibrant and consumerist zeitgeist of 1960s America so precisely that the fashion press speculated about paper garments taking over the market. But as the novelty appeal of paper clothes wore off, their downsides became more apparent and they very soon ended up as waste. Los Angeles based Venezuelan photographer