Polish painter Daniel Maczynski does not concern himself with the subtext of his work. Rather, his geometric portraits are studies in form and color. According to the artist, the meaning behind the work is for the viewer to decide. Maczynski paints with thick, textured brushstrokes that evoke the physicality of the paint. In his portraits, he veers from tightly-rendered details to loose abstraction, allowing the human figures to morph into psychedelic swirls of color.
Polish painter Daniel Maczynski does not concern himself with the subtext of his work. Rather, his geometric portraits are studies in form and color. According to the artist, the meaning behind the work is for the viewer to decide. Maczynski paints with thick, textured brushstrokes that evoke the physicality of the paint. In his portraits, he veers from tightly-rendered details to loose abstraction, allowing the human figures to morph into psychedelic swirls of color.
Ashley Eliza Williams' latest painting series is called "Sentient," and for good reason. Williams paints biomorphic shapes that resemble both rocks and flesh. Overgrown with colorful moss, these mysterious shapes float in mid air or stand solemnly amid desolate landscapes. Their alien flora seems to blossom uncontrollably, evoking bacteria and plant life alike. Its ability to grow in otherwise desolate spaces gestures towards the tenacity of living things.
The paintings of Jean Paul Langlois blend memories of 1970s sci-fi and Westerns of his youth, while also exploring the artist’s connection to his own native and non-native roots. Within his Old West scenes, you may also see a character from “Planet of the Apes” or references to Saturday morning cartoons. His "Origin Stories" series, in particular, re-imagines "mundane family stories and re-interpreting them through a cinematic lens."
The career of painter-cartoonist Guy Colwell is explored in an upcoming retrospective at 111 Minna Gallery. "Walking, Talking, Stalking" tracks the artist’s work from the 1990s to present. Colwell says that the pieces “should each be read as an essay about the state of life from the perspective of one big primate at this moment in time.”
