Polish painter Daniel Maczynski does not concern himself with the subtext of his work. Rather, his geometric portraits are studies in form and color. According to the artist, the meaning behind the work is for the viewer to decide. Maczynski paints with thick, textured brushstrokes that evoke the physicality of the paint. In his portraits, he veers from tightly-rendered details to loose abstraction, allowing the human figures to morph into psychedelic swirls of color.
Polish painter Daniel Maczynski does not concern himself with the subtext of his work. Rather, his geometric portraits are studies in form and color. According to the artist, the meaning behind the work is for the viewer to decide. Maczynski paints with thick, textured brushstrokes that evoke the physicality of the paint. In his portraits, he veers from tightly-rendered details to loose abstraction, allowing the human figures to morph into psychedelic swirls of color.
Peter Saul
Afarin Sajedi's portraits of women are rarely pretty in the conventional sense or pleasant to look at. One might even call them deformed or strange, appearing almost alien-esque with their large heads and round eyes. Previously featured on our blog, the Iranian artist once described her work as "a little bit science fiction, a little bit realism", mainly working from her imagination to create her emotive characters.
Jenny Morgan's (featured in HF Vol. 21) paintings reveal beauty in simplicity. She often depicts nude figures with poignant expressions, stylizing their bodies to fit her sunrise-hued palette in lieu of focusing on minuscule details like hairs and wrinkles. The simplification of her subjects gives her work a glossed-over effect that pushes it from objective realism into surreal territory. For her latest exhibition "The Golden Hour" at Plus Gallery in Denver, Morgan explored notions of spirituality and the cycle of life. While her major focus has always been faces, often using herself as a subject, her exhibition features a substantial amount of paintings of skulls, alluding to the fading nature of youth and the ephemerality of the body. Take a look at the work in the show below and check out "The Golden Hour" on view through October 18.
Born in Tibet and raised in Dharamsala, India, Pema Rinzin uses centuries-old thangka techniques to create contemporary works. The result are fresh, gorgeous renderings in ground mineral pigments, Sumi ink, and gold. Rinzin's personal charge is to bring an education on Tibetan art to the public and schools across the world.
