Menu
The New Contemporary Art Magazine

Adam S. Doyle’s Paintings of Animals Evoke Calligraphy

Adam S. Doyle's oil paintings of animals and fantasy creatures emphasize the physicality of his medium. He appears to paint entire realistic creatures using just a few pronounced strokes, evoking the intentionality required for writing calligraphy. Doyle's subjects are often woodland animals like wolves, rabbits, and crows, though he has other series inspired by mythology and folklore. His paintings resemble a dance between paint and brush and simultaneously remind us of his process while whisking away our imaginations with the final result.

Adam S. Doyle’s oil paintings of animals and fantasy creatures emphasize the physicality of his medium. He appears to paint entire realistic creatures using just a few pronounced strokes, evoking the intentionality required for writing calligraphy. Doyle’s subjects are often woodland animals like wolves, rabbits, and crows, though he has other series inspired by mythology and folklore. His paintings resemble a dance between paint and brush and simultaneously remind us of his process while whisking away our imaginations with the final result.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Gregory Thielker creates paintings which combine realism and aspects of abstraction by obscuring the views of his surroundings. After studying Art History at Williams College in Massachusetts and getting his MFA in Painting at Washington University in St. Louis, he embarked on cross-country road trips and working outdoors. This is when he began his series "Under the unminding sky", which captures his trip's sights through the perspective of a rainy car windshield. Intrigued by the way rain accented and veiled the scenery in front of him, it became the model for his paintings, transforming the driver's environments in a realistic way.
Whether on a wall or canvas, you can feel the influences of pop, graffiti culture, advertising, and both high- and low-brow art in James Reka’s work. The artist maintains both a mural and gallery practice in this sensibility, presenting the figurative in both vibrant and unexpected ways. Reka was last mentioned on HiFructose.com here, and he was featured in Hi-Fructose print publication in Vol. 17.
New York is often described as concrete jungle, a notion Matthew Grabelsky explores in his paintings of fantasy creatures invading its subway. In his work, unsuspecting bystanders sit on the train looking at their phones as bear-headed men read the newspaper and lions hold the handrails wearing dapper suits. The artist, who is a native New Yorker himself, says that his style is influenced by the 19th-century French Academic painters. "My work is not intended to be viewed as fantasy or as allegory, but rather as a blend of every-day experiences and the subconscious," he says. "My paintings are enigmatic, and they create dream-like worlds that invite viewers to form their own interpretations of the imagery presented."
New York-based artist George Boojury paints animals that often return the viewer's gaze. His large-scale ink works on paper (10 feet long is typical for one of his pieces) invite his audiences to confront majestic, wild creatures head-on. In setting up this interaction, the artist quietly prompts us to contemplate our relationship with the animal world. Boojury paints with great detail, mapping out every hair and wrinkle. Bob cats and buffalo pose nonchalantly against white backgrounds that evoke a photo studio. Though Boojury's imagery is stoic and straightforward, one can't help but be reminded of the perils wildlife faces as human activity further encroaches on its habitats.

Subscribe to the Hi-Fructose Mailing List