Jason Borders’s carved animal skulls are morbidly fascinating. While the ornate, lace-like patterns he engraves into the bone draw viewers in with their beauty, it’s easy to become repulsed when you truly think about the origins of his materials. “A large part of what I do involves a familiarization with death,” he says. “My belief is that, as painful as it can be, looking directly at death helps you to live your life with intent and purpose.” While, in Western culture, we tend to remove death as far away from ourselves as possible, perhaps a more holistic way of thinking about it is to view it as part of our existence. In using animal remains to create something new, Borders’ work reminds viewers of the cyclical nature of life.
Armed with pliers and wire, 
English novelist Edward George Bulwer Lytton wrote: "The pen is mightier than the sword," a phrase that inspires artist 
Nomadic artist Stefano Ogliari Badessi crafts installations full of wonder across the globe. At Museo Civico Di Crema last month the artist kicked off a major project features his inflatable and found object-crafted pieces in an exhibition called “Wonderland.” His works often work as costumes and towering creatures with transparent portions that reveal the humans underneath.
Aspencrow's hyperrealistic figurative sculptures blend the provocative with pop. Blending materials like resin, fiberglass, and silicone, his works serve as both admiring and wry portraits. The artist was born in Lithuania and moved to England to attend Birmingham City University, School of Art.