Menu
The New Contemporary Art Magazine

On View: “Body of Land” by Alexandra Levasseur at Mirus Gallery

Canadian artist Alexandra Levasseur (previously covered here) has new oil and acrylic paintings on view at Mirus Gallery, "Body of Land". Her tormented yet feminine subjects, painted in an expressionist style, make a reappearance as if out of a dream. Levasseur's artwork has always exhibited dreamlike qualities. Here, her subjects exist somewhere between a deep subconscious state and wakefulness. We find them melting into abstract landscapes, non-descript yet wild and untouched. In some of her most gestural work to date, physical form and nature are combined to create a single "body of land."

Canadian artist Alexandra Levasseur (previously covered here) has new oil and acrylic paintings on view at Mirus Gallery, “Body of Land”. Her tormented yet feminine subjects, painted in an expressionist style, make a reappearance as if out of a dream. Levasseur’s artwork has always exhibited dreamlike qualities. Here, her subjects exist somewhere between a deep subconscious state and wakefulness. We find them melting into abstract landscapes, non-descript yet wild and untouched. In some of her most gestural work to date, physical form and nature are combined to create a single “body of land.” As in her “Hommage à Odilon” series, she strips the identity of the subject completely and fills the face with a patch of scenery. Others replace mountain ranges and landforms with a young girls’ profile. Levasseur believes that the elements of our being are directly related to those surrounding us. These women embody Levasseur’s idea of a heroine or a protector of a nature; a symbol that she uses to emphasize the link between our mental state and environment.

“Body of Land” by Alexandra Levasseur will be on view at Mirus Gallery through April 11th, 2015.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Drawing inspiration from old stickers, Howard Stern, cartoons, sunsets, reggae album covers, Garbage Pail Kids, T-Shirt graphics, Mad Magazine or sandwiches, Sean Norvet has been creating and showing his art that "mashes up elegant photo-realism with two-dimensional cartoon buffoonery". Through a mixture of photo references and imagination, his pieces are sometimes explosive, sometimes still, but always focused on humorous side of things. Using his references the same way a Hip hop producer uses audio samples, he takes these visuals and applies them where needed by warping, distorting and patching them together.
Angela Gram’s oil paintings are alive with explorations of the natural world injected with distorted, vibrant sensibility. "The Past is Alive," a show running at Gallery Poulsen in Denmark from Feb. 24 through the end of March, collects a new set of kinetic works. This new collection “The Past is Alive," a show running at Gallery Poulsen in Denmark through “constant fascination with the monstrously surreal, expressed through her deconstructed animal kingdom.”
Justin Fitzpatrick’s oil paintings blend influences from Art Nouveau, illuminated manuscripts from the Middle Ages, anatomical drawings, and elsewhere. The actual subjects in the works likewise move through time, from using the construction workers as visual motif to creatures of the natural world rendered with Victorian flavor.
Boston based artist Laurie Kaplowitz describes herself as a “figurative painter committed to Expressive Figuration”. In other words, Kaplowitz creates imagery focused on expressing her emotions, portrayed as ghostly, textured figures. Stylistically, she takes inspiration from Italian Renaissance painter Titian. He reportedly used layers and glazes in his portraits to represent the layers of human identity. Kapolowitz uses the same approach in her process by painting the portrait over and over again until it resonates off the canvas. At the same time, the subject appears light and airy as if disappearing into space. Her art experienced a change in style around 2010, which we feature here.

Subscribe to the Hi-Fructose Mailing List