Menu
The New Contemporary Art Magazine

On View: Curiot’s “Down The Rabbit Hole With Neon Lights” at FFDG and New Mural in San Francisco

Based in Mexico City, Curiot (featured in HF Vol. 29) creates phantasmagoric paintings where deity-like monsters traverse the clouds. The silhouettes of tiny people floating in their wake reveal that human beings look like mere playthings in comparison. Last weekend, Curiot debuted his latest solo show, "Down the Rabbit Hole with Neon Lights," at San Francisco's FFDG, as well as a downtown mural curated by Fifty24SF, another local gallery. According to FFDG, the new paintings in Curiot's exhibition allude to the rapid pace of technology and the consequential environmental pollution. His creatures travel through a mysterious continuum to attempt to reach the "vortex of souls," only to get sucked into the past where they must confront their previous wrongdoing.

Based in Mexico City, Curiot (featured in HF Vol. 29) creates phantasmagoric paintings where deity-like monsters traverse the clouds. The silhouettes of tiny people floating in their wake reveal that human beings look like mere playthings in comparison. Last weekend, Curiot debuted his latest solo show, “Down the Rabbit Hole with Neon Lights,” at San Francisco’s FFDG, as well as a downtown mural curated by Fifty24SF, another local gallery. According to FFDG, the new paintings in Curiot’s exhibition allude to the rapid pace of technology and the consequential environmental pollution. His creatures travel through a mysterious continuum to attempt to reach the “vortex of souls,” only to get sucked into the past where they must confront their previous wrongdoing.

Photos courtesy of Brock Brake.


Curiot with curator Rachel Ralph.


Installation view of FFDG.

Mural in downtown San Francisco:

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
German artists Jasmin Siddiqui and Falk Lehmann, aka "Herakut," (covered here) have traveled all over the world to paint murals and exhibit their drippy, figurative paintings. Through recent social projects, they've shared experiences which have provided the inspiration for their current exhibition, "Displaced Thoughts". On view at the studio and work space of Urban Nation, the exhibition paints a picture of "displaced" individuals due to persecution, conflict, and human rights violations. Herakut sheds a light on these people and the organizations designed to help them in the Middle East, Europe and Africa with new paintings, photographs and installations.
For the upcoming group show "PROTEST" at M16 Art Space in Canberra, Australia, Fintan Magee created a video work based on an ephemeral installation he created in a Sydney warehouse. For the piece, Magee wanted to speak out against conservative bias in Australia's news media, which he says spreads racism, homophobia, and Islamophobia. He created a wire sculpture and stuffed with with Daily Telegraph newspapers, a publication owned by ultra-rightwing media mogul Rupert Murdoch (who also owns Fox News here in the US). Magee set the sculpture in front of a mural and set it aflame. In a video included below, he explains that the man and dog in the mural represent the master-lapdog relationship between the media and its unquestioning followers. Titled "Man Bites Dog," the multimedia piece will debut at M16 Art Space on March 26.
A blend of Greco-Roman iconography and modern-day graphic design, LA-based duo Cyrcle's latest work is a prime example of the ways images get recycled, re-contextualized and repeated in contemporary culture. Like the philosopher Guy Debord famously predicted in the 1960s, our experiences are mediated through images, and almost everything in mass culture has become an image of an image of an image. Not to get too far off track, Cyrcle's new mural in Malmö, Sweden plays with this notion of pastiche.
Argentinian artist Francisco Diaz (aka Pastel) uses a distinct visual language in his murals. He fills his walls with patterns based on the local flora of the area he's painting in — an effective way to connect with the communities he encounters in his travels. His botanical references often address history, geography, society, and politics. Along with these nature-based elements, Pastel often paints ancient, Stone Age tools to glorify humanity's strength without referencing a specific culture. His distinct yet decorative style lends itself well to collaborations with other street artists, such as Pixel Pancho and Agostino Iacurci, who both worked with Pastel recently.

Subscribe to the Hi-Fructose Mailing List