Menu
The New Contemporary Art Magazine

On View: “Howl” by Mikiko Kumazawa at Mizuma Art Gallery

Four years have passed since the Great East Japan Earthquake which continues to have a significant impact on the nation of Japan and its artists. On March 11th, the anniversary of the disaster, Mizuma Art Gallery presented "Howl", an exhibition of elaborate pencil drawings by Mikiko Kumazawa. Kumazawa's latest works reflect on the past four years, and her own personal emotional interpretation of the event. Collectively, here is an image of human nature's strength and weakness in the face of uncontrollable forces. Take a look at "Howl" after the jump!


“Tree of Ogre’s Children”, 2015, Pencil on gesso, mounted on panel, 454.6 x 545.4cm, ©Kumazawa Mikiko, Courtesy Mizuma Art Gallery

Four years have passed since the Great East Japan Earthquake which continues to have a significant impact on the nation of Japan and its artists. On March 11th, the anniversary of the disaster, Mizuma Art Gallery presented “Howl”, an exhibition of elaborate pencil drawings by Mikiko Kumazawa. Kumazawa’s latest works reflect on the past four years, and her own personal emotional interpretation of the event. Collectively, here is an image of human nature’s strength and weakness in the face of uncontrollable forces. Her larger than life drawings depict horrified giants making their way through a crumbling city scape and eating trees, as in “Tree of Ogre’s Children”. This piece alone took over one year to complete. In another image, a group of school children is embraced by the same tree, as nature tries to protect its kin. It would appear that Kumazawa’s final sentiment is conflicted, as she exhibits nature’s power to destroy and also to heal and preserve. “Howl” is currently on view through April 11th.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Painter Hiroomi Ito uses traditional means to produce contemporary scenes and ideas. And he takes this process further than just creating his own color pigments; he actually creates the rice paper on which his works are crafted. In these works, Ito explores modern social issues as they relate to customs of the past.
It's not manga. This is the starting point of a conversation that Yoshitomo Nara will host today about his debut solo exhibition in Hong Kong, "Life is Only One." The show opened last night at the Asia Society, named after Nara's painting "Life is Only One!", featuring a child holding a skull as he contemplates life. In a recent interview, Nara shared, "When I was a child, the word “life” itself, of course, was a foreign concept. After turning 50, however, and with the deaths of people close to me and with the recent earthquake, I started to think about life more realistically - the limits of life, and the importance of what one can accomplish during that time."
Japanese artist Kazuki Takamatsu (featured in Hi-Fructose Vol. 16) has a new solo show opening at CHG Circa on June 21st, “Spiral of Emotions”. The show’s title epitomizes the ghostly spiraling layers in Takamatsu’s handpainted figures that look like 3D graphics. He will exhibit twelve new gouache paintings exploring the emotional disconnect between the old and adolescent generations of Japan. These compositions may be precisely designed with a digital technique called Depth Mapping, but the final result captures feelings that cannot be planned. For his debut exhibition with Corey Helford last year, “Japanese Ideology of Puberty”, Takamatsu infused elements of Japanese pop culture and fantasy that are further employed here. His new subjects appear "lost" and floating through ethereal visions of death, spirituality, and an uncertain future. See more after the jump!
Japanese artist and founder of Superflat, Takashi Murakami, has taken over four venues in Ibiza, Spain for his latest exhibition: Art Projects Ibiza, Lune Rouge Ibiza, the Ibiza Gran Hotel, and restaurant and performance space HEART Ibiza. His presence there coincides with the opening of Lune Rouge Ibiza, the collection of Guy Laliberté, the Canadian philanthropist perhaps best known as the CEO of Cirque du Soleil. The artist will have a selection of older work on display at the Lune Rouge dating back to his "Arhat" series (covered here), including his massive 32-foot long painting "69 Arhat's "Beneath the Bodhi Tree" (2013). The series was notable for its introduction of more historical Japanese art motifs in Murakami's works, some of which can be found at Laliberté's Casino de Ibiza.

Subscribe to the Hi-Fructose Mailing List