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Preview: Dirk Staschke’s “Executing Merit” at Winston Wachter Fine Art

While Dirk Staschke's past work has had a meticulously polished look, his latest series of sculptures for his upcoming solo show, "Executing Merit" at Seattle's Winston Wachter Fine Art, reveal the rough-hewn edges of his process. Staschke (whom we featured in HF Vol. 23) creates opulent ceramic still lifes that evoke 17th-century vanitas paintings. In his previous pieces, he labored to conceal the evidence of his hand-executed process. His latest work, however, juxtaposes pristinely glazed forms with unglazed, unrefined surfaces, exposing the craft behind Staschke's typically immaculate work. "Craft and skill have always been important in my work and by examining this further my recent sculptures have become an exercise in relinquishing control," wrote Staschke in his artist statement. "Executing Merit" opens on March 3 and will be on view through April 15.

While Dirk Staschke’s past work has had a meticulously polished look, his latest series of sculptures for his upcoming solo show, “Executing Merit” at Seattle’s Winston Wachter Fine Art, reveal the rough-hewn edges of his process. Staschke (whom we featured in HF Vol. 23) creates opulent ceramic still lifes that evoke 17th-century vanitas paintings. In his previous pieces, he labored to conceal the evidence of his hand-executed process. His latest work, however, juxtaposes pristinely glazed forms with unglazed, unrefined surfaces, exposing the craft behind Staschke’s typically immaculate work. “Craft and skill have always been important in my work and by examining this further my recent sculptures have become an exercise in relinquishing control,” wrote Staschke in his artist statement. “Executing Merit” opens on March 3 and will be on view through April 15.

Topics

ceramics, Dirk Staschke, sculpture, Winston Wachter Fine Art

Edward Walton Wilcox, Gothic, merry karnowsky gallery, sculpture, Todd Carpenter

June 24, 2014

Edward Walton Wilcox and Todd Carptener celebrated double openings on Saturday at Merry Karnowsky Gallery. “Sacred Intention” by Wilcox was his 6th solo exhibition with the gallery featuring his dark, hand-carved gothic style pieces starring nature’s predators. Watching over the show is his totem “Abraham Stilten in de Nederlands”, a solid sequoia tree carved entirely with a chainsaw that stands 9 feet tall. New oil on panel pieces such as “Predator” and “Candy Mountain” were created on handmade wood frames, then, placed on hand carved shelves. His presentation is just as important as the paintings themselves, often removing the subject from its 2-dimensional world entirely to extend the narrative. Figures such as a rowing Grim Reaper-esque character and hovering owls appear throughout, while circling birds overhead imply something is amiss. Read more after the jump.

‘Corso Zundert’ Features Larger-than-Life Floats, Explosion of Flowers

Corso Zundert, flowers, sculpture

September 8, 2016

Every year, on the first Sunday of September, the Dutch village of Zundert holds its "Bloemencorso Zundert", or "Zundert Flower Parade", featuring larger-than-life floats and an "explosion" of flowers. The giant structures, reaching up to 30 feet tall, are built by volunteers in neighboring village districts and church villages - each one competing for the title of best design. Read a brief history of the parade and view more photos behind the cut.

Rogan Brown’s Latest Series of Intricate Cut Paper Sculptures

paper cutting, Rogan Brown, sculpture

January 7, 2016

"I am inspired by the incredible variety and complexity of the natural world that surrounds me," says Southern France based artist Rogan Brown. Brown's winter wonderland of intricately cut paper sculptures first caught our attention in 2013, when we featured his abstract formations of florals and pathogens, hand-cut out of watercolor paper with exquisite precision. His latest series, created throughout 2015, combines the techniques of hand paper cutting and laser cutting, leaving the burnt edges of the paper for added texture and depth to his already complex works of art.

Sculptures by Salvador Jiménez-Flores Explore Identity, Colonialism

Mixed Media, Salvador Jiménez-Flores, sculpture

November 29, 2017

Mexico-born artist Salvador Jiménez-Flores uses several approaches to delve into identity and the convergence of cultures. A recent project in particular, titled "The Resistance of the Hybrid Cacti," uses ceramics to look at these concepts and more. The artist says that “through art, I seek to resist the labels put upon me and other people of color by reimagining what an alternative future could look like.”

Preview: Dirk Staschke’s “Executing Merit” at Winston Wachter Fine Art

Opening Night: Edward Walton Wilcox and Todd Carpenter at Merry Karnowsky Gallery

‘Corso Zundert’ Features Larger-than-Life Floats, Explosion of Flowers

Rogan Brown’s Latest Series of Intricate Cut Paper Sculptures

Sculptures by Salvador Jiménez-Flores Explore Identity, Colonialism

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