Polish artist Jacek Yerka's paintings invite us into a world where things are not what they seem. Caves turn into gaping dragons' mouths, houses float above the clouds, and gardens become seemingly infinite puzzles of time and space. The artist blurs the boundaries between the biological and the mechanical, creating strange hybrids of animals, architecture, and geological formations. Yerka began his career making band posters in the 1970s and has been exhibiting his work in Poland for decades.
Polish artist Jacek Yerka’s paintings invite us into a world where things are not what they seem. Caves turn into gaping dragons’ mouths, houses float above the clouds, and gardens become seemingly infinite puzzles of time and space. The artist blurs the boundaries between the biological and the mechanical, creating strange hybrids of animals, architecture, and geological formations. Yerka began his career making band posters in the 1970s and has been exhibiting his work in Poland for decades.
The scenes in Mernet Larsen's paintings appear familiar, at times even mundane: doing yard work; sitting in a staff meeting; waiting on a subway platform. Yet running through these representations of daily modern life is a distorted sense of reality that suddenly leaves one struggling to find footing within these worlds. Larsen has been painting this way since the early 2000s, channeling both the geometric compositions of El Lissitzky and 12th century Japanese narrative paintings. At the center of her works are block-like characters resembling vintage graphics in an old computer game - both abstract and figurative representations of ordinary people. Applying concepts of reverse perspective and what the artist refers to as "Rorschaching" to insightful, often witty narratives, Larsen inspires us to reconsider the ways in which we relate to the world around us.
Artist Michael Page explores dreamworlds with his oil and acrylic paintings, using atypical color schemes and kinetic scenes. In his new body of work, “Nostalgia Kills,” Page focuses on the vibrancy and wonder of childhood. His new solo show at Corey Helford Gallery kicks off Jan. 21 and runs through Feb. 18.
The work of Margaret Curtis moves between provocative and quiet moments, each reflecting both on our current social climate and the act of painting itself. She has said that her process is “a geological process of layering and erosion.” In a statement, she offers some insight into the more consistent themes in her paintings over time:
Bernie Wrightson, a comic book industry vet and celebrated illustrator, died on March 18. The artist was vastly influential for generations of illustrators, cited for his elaborate line work and absorbing detail. Wrightson was legend in the horror genre, in particular, mixing both the beautiful and the unsettling in his pen and brush work. Shown are images from his revered Bernie Wrightson's Frankenstein series, adapting the classic Mary Shelley novel.
