Menu
The New Contemporary Art Magazine

Elise Mesner Plays with Food in Her Whimsical Photographs

They say breakfast is the most important meal of the day. Detroit-based photographer Elise Mesner humorously reminds us of this middle school health class adage with her upbeat, whimsical work. Mesner works as a fashion photographer by day while also dabbling in collage, painting, illustration, and costume design. Her experience with various media lends itself to her photo work, in which she builds highly stylized, custom props using household materials and processed foods. Through Mesner's pastel color palette and eye for geometric designs, McDonald's wrappers, bananas, and white bread become alluring art objects with many possibilities to explore.

They say breakfast is the most important meal of the day. Detroit-based photographer Elise Mesner humorously reminds us of this middle school health class adage with her upbeat, whimsical work. Mesner works as a fashion photographer by day while also dabbling in collage, painting, illustration, and costume design. Her experience with various media lends itself to her photo work, in which she builds highly stylized, custom props using household materials and processed foods. Through Mesner’s pastel color palette and eye for geometric designs, McDonald’s wrappers, bananas, and white bread become alluring art objects with many possibilities to explore.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Photographer Davide Luciano's "Sheep Nation" series abandons the use of digital tricks and implements prosthetic make-up, meticulous lighting, and several models and crew members to create surreal scenes. Each of the mask applications took up to three hours to apply, and photos from the series move between stirring portraits and scenes from the everyday.
In Kensuke Koike’s ongoing “Single Image Processing” series, the artist alters vintage photographs and postcards with both humorous and surreal results. With just a pair of scissors, the artist is able to remix and recontextualize imagery that is otherwise ordinary or nostalgia-fueled.
Photographer Shinichi Maruyama employs cutting-edge technologies to capture elegant and abstract images of liquid and human forms in motion. In a series entitled “Kusho,” which is part performance and part image making, Maruyama throws black ink and water into the air and records the moment the two separate mediums collide. Although these images could only have been captured using brand new strobe light technologies, Maruyama still draws his inspiration from timeless artistic practices and preoccupations. In his artist statement, he writes about memories of writing Chinese characters in sumi ink as a young student: “Once your brush touches paper, you must finish the character, you have one chance. It can never be repeated or duplicated. You must commit your full attention and being to each stroke.” Like the brushes of ink on paper, each depiction of the ink’s flight through the sky represents a fleeting moment that can never be recreated.
You might get a jolt of déjà vu looking at Brazilian artist Lucio Carvalho’s photographic work. Significant images in his portfolio feature monuments of culture - a towering Tate, a sinewy Bilbao Guggenheim, a sun-reflected Louvre - contemporary institutions that have proved integral to the architecture of a city’s art scene. However, in each of these images, something is a little off – the usual foreground and background are hijacked with paraphernalia (shopping bags, STOP signs, yellow plastic chairs) that reveal no explicit tie to the museum or gallery. The images are both familiar and unfamiliar, not so much a trick of the eye as a trick of our cultural systems.

Subscribe to the Hi-Fructose Mailing List