Menu
The New Contemporary Art Magazine

Pastel’s Botanical Murals Beautify Overlooked Areas in Cities Worldwide

Argentinian artist Francisco Diaz (aka Pastel) uses a distinct visual language in his murals. He fills his walls with patterns based on the local flora of the area he's painting in — an effective way to connect with the communities he encounters in his travels. His botanical references often address history, geography, society, and politics. Along with these nature-based elements, Pastel often paints ancient, Stone Age tools to glorify humanity's strength without referencing a specific culture. His distinct yet decorative style lends itself well to collaborations with other street artists, such as Pixel Pancho and Agostino Iacurci, who both worked with Pastel recently.


Rio San Juan, Dominican Republic. Photo credit: Tostfilms.

Argentinian artist Francisco Diaz (aka Pastel) uses a distinct visual language in his murals. He fills his walls with patterns based on the local flora of the area he’s painting in — an effective way to connect with the communities he encounters in his travels. His botanical references often address history, geography, society, and politics. Along with these nature-based elements, Pastel often paints ancient, Stone Age tools to glorify humanity’s strength without referencing a specific culture. His distinct yet decorative style lends itself well to collaborations with other street artists, such as Pixel Pancho and Agostino Iacurci, who both worked with Pastel recently.

With his past experience in creative pursuits as diverse as architecture and graffiti, Pastel sees his street art as “urban acupuncture.” According to him, modern cities are full of “non-places” because of irregular and non-inclusive master-planning, so painting walls can be a jump-start for bringing attention to those areas. They range from smaller interventions on eroded walls to huge murals like the one he did in Zaragoza, which is his biggest piece so far.

In creating these public works in cities all over the world, Pastel seeks to honor indigenous communities rather than using his street art as a tool of gentrification. One of his favorite pieces is one he created not long ago in the Dominican Republic. The mural reminds Pastel of the great relationship he built with the neighbors and the memories from the entire experience. Aside from his murals, Pastel frequently creates installations and paintings. His last exhibition was a two-man show with Argentinian artist Elian at YoAmo305 in Miami. Going forward, Pastel plans to continue painting all over the world. He’s focused on reactivating “non-places,” using his murals as a technique of urban acupuncture.

Collaboration with Pixel Pancho in Rio San Juan, Dominican Republic. Photo credit: Tostfilms.


Collaboration with Agostino Iacurci in Miami, FL. Photo credit: Worldjunkies.


Mendoza, Argentina.


Gdynia, Poland.


Buenos Aires, Argentina.


Besançon, France.

Studio works:

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Bob Dob's punk rock roots still shine through the artist's paintings, including these recent pieces. Works like “Golden Punk God Made of Clay,” with a statue inspired by Pennywise guitarist Fletcher Dragge and the band’s ongoing influence. Elsewhere in the painting, the work shows "various mischief and local South Bay culture and folklore," the artist says. Dob is featured in the Hi-Fructose Collected 3 Box Set.
Whether it’s her massive work “Catsquatch” or her "Mirror Constructs" series, painter Shyama Golden’s work is both experimental and at times, humorous. The artist has both fine art and illustration practices. Yet, even within her gallery work are varying approaches, ranging from the mythological to portraiture.
Known on the street by his alias TwoOne (a name that is nearly impossible to Google successfully), Hiroyasu Tsuri is a Japanese-born, Berlin-based artist whose interdisciplinary practice extends from murals and paintings to sculptures and ritualistic performances. The artist is interested in the concept of masks as a way to deduce the universal qualities of human psychology. His anthropomorphic animal portraits — though they may recall many types of mythologies, from Japanese to Native American — are devoid of a specific cultural context. Instead, TwoOne attempts to tap into the traits that make all human beings tick. His massive murals exhibit curiosity, jealousy, lust and loneliness, tying a thread between the experiences of humans and other creatures.
12 years after artist Kent Twitchell painted Los Angeles' favorite "Freeway Lady" overlooking the 101 freeway, it was erased by a billboard company. Originally painted in 1974, the mural is a tribute to the artist's grandmother who lived in Hollywood. She is depicted holding a colorful, handmade afghan blanket that she gifted to Twitchell. In Hi-Fructose Vol. 37, we caught up with Twitchell during the piece's restoration, which was recently completed on October 10th.

Subscribe to the Hi-Fructose Mailing List