Menu
The New Contemporary Art Magazine

Exclusive Interview: Nosego Discusses New Show “Invisible Village” at Arch Enemy Arts

Patterns dance in Nosego's paintings of morphing creatures that shed their skins to be reborn as psychedelic spirit animals. The Philadelphia-based artist pays homage to various endangered species in his work and paints them in an optimistic light. Whether in his street art or in the studio, Nosego fills his work with interlocking designs that distort his chosen animals' anatomies into something otherwordly. He remixes familiar imagery into whimsical compositions with dizzying details.

Patterns dance in Nosego’s paintings of morphing creatures that shed their skins to be reborn as psychedelic spirit animals. The Philadelphia-based artist pays homage to various endangered species in his work and paints them in an optimistic light. Whether in his street art or in the studio, Nosego fills his work with interlocking designs that distort his chosen animals’ anatomies into something otherwordly. He remixes familiar imagery into whimsical compositions with dizzying details.

Nosego’s upcoming solo show, “Invisible Village,” debuts at Arch Enemy Arts in Philadelphia on January 23. The title of the show came from a motto the artist repeated to himself while creating the work: “Fear nothing, for with you is an invisible village.” His mantra reflects the spiritual aspects of his paintings, and one can imagine his supernatural creatures acting as guardian angels of sorts.

Nosego spent the past couple of years traveling and painting murals everywhere from Portland to Berlin and has returned home with new inspirations and ideas. We chatted with him about what he has been up to and what we can expect to see in “Invisible Village.”

You haven’t shown in Philadelphia for quite some time. What have you been up to since you last exhibited your work in your hometown two years ago?

Yeah, it’s been about a couple years since the last time I’ve shown in Philadelphia. Over the past two years I’ve been fortunate to do a good bit of traveling and painting but it’s nice to be home.

How did you arrive at the title “Invisible Village” for this body of work?

The title was inspired by the idea of not judging a book by its cover and believing you understand something until discovering its other traits, or true nature.

Are there any specific themes you were exploring with these paintings?

Yes, they vary between themes but one of the fairly common themes in the works is endangered species.

Your new paintings seem more fleshed-out and figurative than your previous work. I see more specific species emerging out of the psychedelic designs. Can you talk about this evolution?

I think this is something I always wanted to explore and just feels right at the moment. It wasn’t really a conscious decision, the work just seemed to turn in that direction.

Do the animals you paint have a particular significance?

Most of the time they do. I believe they help set the mood and direction of the painting.

What’s your process like? How much of work is pre-planned and how much room to you leave for spontaneity?

I would say I plan the piece loosely just to form the composition and to allow some room to improvisation later. I try not to plan too much because my ideas often change and form during the process.

You’re showing sculpture in this show, as well. Can we expect more 3D work from you in the future?

Yes, I’ve been having fun creating the 3D works and hope to expand it a bit more in the future.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
“Paramnesia”, like déjà vu, refers to a supernatural phenomenon in which dreams or fantasies are confused with reality. Joram Roukes explores this concept with his exhibition of the same name, which opened last weekend at Thinkspace Gallery. Previously, Roukes’ work centered on reflections of daily life experiences reassembled in surreal, painterly scenes. For the past six months, he collected new experiences while working in Los Angeles. The result is slightly schizophrenic. Throughout, exotic animals erupt from anonymous figures performing a variety of city professions. In a way, it recalls Craola’s use of anthromorphic characters to personify dreams (covered here), only Roukes’ are sourced from a place more terrifying- reality.
Yesterday we brought you our first recap of Portland's second annual edition of Forest for the Trees, a new mural festival featuring 20 international and local artists. Today, we round up the rest of the murals. Philadelphia-based artist Nosego played with negative space for his piece, which sparkles on a small section of his giant wall with glowing contrasts. Nearby, Brendan Monroe and Souther Salazar collaborated almost seamlessly, blending whimsy with geometry and design. Paige Wright incorporated three-dimensional elements into her mural while Zach Yarrington opted to create text-based work. Take a look at the highlights after the jump.
Hyper-realist painter Maria Teicher, featured here, likens the experience of being an artist to being in high school. As a student, she felt like an outcast who didn't quite fit in, a "loner" forced into an artificial social dynamic. Teicher explores this theme in per paintings, which portray people in powerless moments, often wrapped in "veils" that distort their faces. Her work almost stops your breath, not only for her impressive use of the oil medium, but because you can feel the moment of constriction. For her latest body of work "Here Together, So Alone" at Arch Enemy Arts in Philadelphia, Teicher observes how we group ourselves together as humans while remaining inexplicably alone.
As a tribute to this “most wonderful time of the year” artists Lauren YS and Makoto Chi have created twenty-eight works (and a mural) for their new “Five Poisons” exhibition. We’ve interviewed the artists about the work. Click image above to read it, or else.

Subscribe to the Hi-Fructose Mailing List