
Haris Purmono’s hyperrealistic portraits illustrate resilience. The Indonesian artist began his practice in the 1970s under Suharto’s military government and the battle-scarred faces of his civilian subjects symbolize the country’s difficult past. Purmono’s sitters are everyday individuals whose faces the artist embellishes with bandages and dragon tattoos. Despite their different ethnicities and social classes, these symbols unite the subjects of his work and hint at their shared cultural history.










Detroit based artist
Jolene Lai returns to Thinkspace Projects with a new collection of eerie paintings. The aptly named "The Beautiful Haunting," starting on Sept. 14, brings her sensibility, seemingly informed by pop mediums and children’s stories to the gallery walls. The painter has a rare ability to evoke the same sense of mystery and danger in settings absent of human occupants. Lai was last featured on our website
The chimerical paintings of
Over the past few years, many of Ivy Haledeman's intimate paintings have focused on an anthropomorphic female hot dog character. The character bends and lounges across the canvas, often extending most of its form out of our view. While surely offering more erotic themes to extract, Haldedeman’s paintings also seem to be offering reflections on the capitalistic system that produces “hot dogs” themselves.