Menu
The New Contemporary Art Magazine

Preview: Jon Fox’s “If You Don’t Object Then You Must Agree” at White Walls Gallery

Jon Fox's paintings (featured in Hi-Fructose Vol. 30) unfurl epic battles where human characters appear minuscule and inconsequential amid the spirits and deities running amuck in his otherworldly dimension. Fox's scenes are large and sprawling, with multiple narratives occurring simultaneously. The UK-based artist's new work will debut at his next solo show, "If You Don't Object Then You Must Agree," opening at White Walls Gallery in San Francisco on January 31.

Jon Fox’s paintings (featured in Hi-Fructose Vol. 30) unfurl epic battles where human characters appear minuscule and inconsequential amid the spirits and deities running amuck in his otherworldly dimension. Fox’s scenes are large and sprawling, with multiple narratives occurring simultaneously. The UK-based artist’s new work will debut at his next solo show, “If You Don’t Object Then You Must Agree,” opening at White Walls Gallery in San Francisco on January 31.

Fox explained in an email to Hi-Fructose that the conflicts in his paintings visualize some of his own inner struggles. By laying them out on canvas, he is able to better process his thoughts and feelings. “The themes in my work work are generally from insights into my own being, they are all coming from a process of introspection,” he said. “If I can try to look at it in a detached way, to try and view it as a story and somehow lay it out as a narrative in a painting from my own perspective, hopefully I can learn from it.”


Detail


Detail

Detail

Detail

Detail

Detail

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Beijing-based painter and illustrator Alice Lin creates nostalgic, whimsical works on paper. The world she develops evokes Victorian-era storybook illustrations with its lush, ornate flora as a recurring decorative motif, but the artist's imagery is far more contemplative and melancholic. Using watercolor and natural mineral pigment, she envelopes her characters in a marbled texture with wisps of gradients that seem to float though her scenes like fog. As viewers, we come upon her characters in moments of contemplation, staring with downcast eyes or obscuring their faces from our gaze.
Jen Mann’s stirring oil portraits blend realism and abstraction, isolating aspects of the face for photo-negative representations and graphic notes. Mann uses contemporary iconography in her works, using emojis and film subtitles as inspiration. Her toying with a single subject over many portraits represent the prism of personality.
Originally hailing from San Francisco, Los Angeles based artist Kristen Liu-Wong doesn't hesitate to admit that what fascinates her are subjects considered by most to be taboo or "NSFW". Her candy-colored paintings play out complex scenes of figures often engaged in erotic acts of sex and violence that draw both horror and giggles from her audience. Among her inspirations, Liu-Wong cites 90s Nickelodeon cartoons, the intricate patterns of traditional American folk art and Native American pottery for specific motifs, and figurative artist Alex Katz, whose earlier Japanese woodcut inspired works can be seen in the way Liu-Wong composes her landscape of rowdy characters.
Seamus Conley's recent oil paintings offer a convergence of reality and digital fantasy. In that latter world—and in materialism—there’s a hope for fulfillment that Conley explores. His recent body of work is currently on display at Andrea Schwartz Gallery, in a show that runs through Dec. 21.

Subscribe to the Hi-Fructose Mailing List