Menu
The New Contemporary Art Magazine

Masaya Kushino Explores Transformation Through Sculptural Shoes

Japanese fashion designer Masaya Kushino expresses his surrealist imagination through his sculptural footwear. His recent shoe-sculpture series, "Bird-Witched," explores the transformation of a tall pump into a feathery creature. The sculpture series is currently on view in the Brooklyn Museum's exhibition, "Killer Heels: The Art of the High-Heeled Shoe." His other recent series, "Reborn," examines the cyclical qualities of nature. With each successive piece in the series, we see a shoe overgrown with plant life wither, wilt, catch fire, and eventually flourish once again.

Japanese fashion designer Masaya Kushino expresses his surrealist imagination through his sculptural footwear. His recent shoe-sculpture series, “Bird-Witched,” explores the transformation of a tall pump into a feathery creature. The sculpture series is currently on view in the Brooklyn Museum’s exhibition, “Killer Heels: The Art of the High-Heeled Shoe.” His other recent series, “Reborn,” examines the cyclical qualities of nature. With each successive piece in the series, we see a shoe overgrown with plant life wither, wilt, catch fire, and eventually flourish once again.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Kadriye İnal’s “patchwork” paper sculptures capture humanity in both form and the imperfect, abstract beauty found in our seams. The artist's work has also been called collage, though she has said that it exists "somewhere between three and two dimensions, between reality and fiction."
London-based illustrator and artist Martin Tomsky turns the dancing line of the pen into dynamic sculpture with his multi-layered woodcuts. In one artwork, several wood pieces in varying degrees of brown are cut into swooping arabesques and lain over one another to create the essence of a whirlwind. At the center, a cube is trapped inside a slightly larger box. A larger-than-life insect with menacing fangs watches over the heart of the piece, as if protecting Pandora’s box. In his illustrations, Tomsky invents fantasy worlds where good and evil battle one another in nature. The same thematic oppositions can be seen in his woodcuts. Trees and clouds meld into one another to create a single ominous sky-canopy. In the darkness below, owls hide in trees, supposedly from the giant bearded millipede that wraps itself around a central tree trunk. The ground below, sprouting with mushrooms and speckled with unknown creatures, is as petrifying as the sky above.
Inside an old warehouse of a paper strip manufacturing plant owned and formerly operated by her family, Chie Hitotsuyama crafts sculptures of wildlife, which are often life-size, in hermakeshift studio. By wetting, twisting, rolling, folding, and stacking paper, the artist compels an unlikely material out of newspaper. The ongoing effort is formally titled Hitotsuyama Studio, consisting of Hitotsuyama and the project's creative director, Tomiji Tamai.
For San Francisco based artist Erika Sanada, animals have long represented a sort of escapism from reality. Featured here on our blog and in Hi-Fructose Vol. 31, her creepy-cute sculptural incarnations of "zombified" baby creatures are analogies to her own demons. Over the years, we've seen her sculptures evolve into more dynamic pieces of art; playful, narrative scenes colored in a spectrum of somber hues. She explores a bolder, darker palette and decoration in her upcoming solo, "Cope."

Subscribe to the Hi-Fructose Mailing List