Polish artist Leszek Kostuj paints fanciful worlds populated by otherworldly creatures. There is something playful, childlike, and naive about his work, with its simplified forms and friendly-looking characters. Throughout Kostuj's multi-dimentional compositions, his characters' eyes grab viewers' attention. He paints them in profile, evoking Ancient Egyptian wall paintings. The round, marble-like pupils draw us into his strange, storybook-like universe.
Polish artist Leszek Kostuj paints fanciful worlds populated by otherworldly creatures. There is something playful, childlike, and naive about his work, with its simplified forms and friendly-looking characters. Throughout Kostuj’s multi-dimentional compositions, his characters’ eyes grab viewers’ attention. He paints them in profile, evoking Ancient Egyptian wall paintings. The round, marble-like pupils draw us into his strange, storybook-like universe.
The figures in Erik Jones's paintings are enmeshed in generous heaps of abstract marks, subsumed in the saturated hues of cerulean blue, aqua and crimson. Yet the New York-based artist (featured on the cover of Hi-Fructose Vol. 27) strikes a careful balance between abstraction and figuration, using the realistically-painted character as a compositional element in equilibrium with his design elements. While Jones has said in the past that his intentions are primarily to create visual pleasure, his upcoming show at Hashimoto Contemporary in San Francisco, "Motion," delves into symbolic territory.
