
Adrian Esparza at Max Estrella Gallery
One of the first fairs to open during Miami Art Week, UNTITLED boasts a great number of experimental sculptures and installations that utilize unlikely media.
Texas artist Adrian Esparza, featured in Cindy Rucker Gallery’s booth as well as Max Estrella’s, is exhibiting his neon-colored, geometric thread sculptures. Woven from unraveled Mexican serapes, his sleek, minimalist designs emerge from the familiar handicrafts.
Similarly geometric and psychedelic, Jen Stark’s sculptures (featured in HF Vol. 20) in Eric Firestone Gallery’s booth invite viewers to peer into vortexes composed of layers of brightly colored paper. Shannon Wright’s work at ADA also utilizes mathematical designs: Her multifaceted prisms are composed of custom hole-punched notebooks spiral-bound together in interesting shapes.
UNTITLED isn’t short on art with social commentary. Ebony G. Patterson’s installation in Monique Meloche’s booth presents a colorful collection of fabric coffins inspired by Jamaica’s burial traditions, specifically those of its working class communities. The sculptures were taken from Patterson’s previous performance piece, Invisible Presence: Bling Memories, in which she aimed to draw attention to the stark class divide in her native country. Blane De St. Croix’s installation with SiTE:LAB towers over viewers with its organized array of wooden panels covered in moss and dirt. According to the gallery, the work was intended as a commentary on the destruction of Florida’s Everglades.
With its many large-scale works, often composed of resourcefully repurposed media, UNTITLED is filled with spectacle. If you’re in Miami Beach this week, the fair is on view through December 7. Otherwise, take a look at some photo highlights from UNTITLED below and stay tuned for more Miami Art Week coverage.

Adrian Esparza at Cindy Rucker Gallery

Keiichi Tanaami for Little Big Man Gallery

Jen Stark for Eric Firestone Gallery

Kelsey Brookes for Eric Firestone Gallery

Sculptures by Alios Kronschlager and photos by Richard Galpin at Cristin Tierney Gallery

Zak Smith at Frederick & Freiser

Nina Chanel Abney at Kravets Wehby Gallery

Blane De St. Croix at SiTE:LAB

Detail

Leonce Raphael Agbod Jelou for Jack Bell Gallery

Phillip K. Smith III for Royale Projects

Ebony G. Patterson for Monique Meloche

Hassan Hajjaj for Taymour Grahne Gallery

Michael Jones McKean for Inman Gallery

Esteban Schimpf for Present Co.

Guillermo Mora for Formato Comodo

Shannon Wright for ADA

Interesni Kazki detail While the collectors were busy at the fairs during Miami Art Week, street artists descended upon the Wynwood neighborhood to add new murals to the urban landscape, with thousands of eager tourists with cameras at the ready following not far behind. While many murals from past years have been preserved, we spotted new additions by the likes of Interesni Kazki, Nychos (who painted five separate walls), Faith47, Alexis Diaz, Swoon, Cleon Peterson, and many others. Colorful new pieces spilled out of the designated
The current art market in the Bay Area is precarious. Two of the City's three major art fairs disappeared last spring, galleries are getting evicted and artists are leaving due to unimpressive sales and rising rents. Curators from San Francisco and Oakland alike are racking their brains about how to appeal to the growing class of Twitterati. There is a disconnect between the Bay Area's influx of wealth and its art. Tucked away in suburban San Mateo, just south of SF,
Jordan Wolfson In this installment, we focus on the big one. As daunting and seemingly endless as
This year's rendition of