Using careful arrangements of mirrors, lights, and negative space, James Nizam takes analog photographs that capture his ephemeral interventions. His simple arrangements of light beams evoke the Minimalist sculptures of the 1960s, yet Nizam's work is tangible only in the form of the resulting photo. With his geometric arrangements, he alters the way his audience views architectural spaces and draws connections between photography, design, and sculpture.
Using careful arrangements of mirrors, lights, and negative space, James Nizam takes analog photographs that capture his ephemeral interventions. His simple arrangements of light beams evoke the Minimalist sculptures of the 1960s, yet Nizam’s work is tangible only in the form of the resulting photo. With his geometric arrangements, he alters the way his audience views architectural spaces and draws connections between photography, design, and sculpture.
After singing for a rock band, working as a tattooist, and modeling for Playboy, Russian artist Anka Zhuravleva settled behind the lens. Her photography vacillates between a surrealistic and editorial aesthetic, although, it seems, that she cooks up pieces that resonates with both. With soft, painterly yet obscure visuals, the photographer puts forth a collection of imagery that drives the viewer inside a feminine dream world in which girls and women in anachronistic costumes fly and float among sublime, hazy landscapes.
Canadian photographer Sarah Anne Johnson captures impassioned moments, expressing the emotion behind them by painting and etching directly onto her prints. In her latest series, "Wanderlust," the artist captured sexual intimacy, photographing partners as well as individuals. Johnson's view of eroticism comes across subtly. None of her models appear to be performing for the camera. They seem so at ease that one begins to wonder how Johnson gained access into her subjects' most private experiences. The abstract embellishments she adds to her photos float like auras around the figures, as if the psychic connection between them has become tangible for us to witness.
Polish fine art photographer Waclaw Wantuch presents the nude figure in unusual and surprising ways. The models in his highly stylized black and white photographs are captured in dramatic positions against a vacant background. Many times they are cropped and contorted in a way that is completely unrecognizable as human. Each model's body is tense with a compressed energy, where muscled limbs, perfect breasts and buttocks are bent in a way that is reminiscent of those seen on ancient Greek figures.
In the series “Ça va aller,” photographer Joana Choumali adds embroidery to images captured of her African hometown, Abidjan, in the days after the March 2016 Grand-Bassam terrorist attack that took 19 lives and injured 33. She began embroidering as a way to cope, with the series evolving from this approach. The artist observed a melancholic population following the event.
