Erin Anderson paints with oils on copper sheets, strategically using negative space to incorporate her surface’s glimmering texture into her compositions. Her portraits are realistic and straightforward. But the copper swirls that envelop her subjects endows these ordinary people with a supernatural glow. Anderson etches the metal, giving it texture and a sense of movement . She states that she is interested in learning about the ways various elements of nature are connected and hopes to illustrate a similar, universal connection among her human subjects.
