Alex Chinneck is frequently praised as an architectural wizard for his unusual interventions, which he creates with the help of engineering experts and legions of volunteers. In 2013, he transformed a multi-story home in Margate, UK into a steep slope that resembled a skate ramp (see our coverage here). Earlier this year, he made Covent Garden’s Market Building levitate, creating the illusion of the 184-year-old edifice floating off its foundation. For his most recent work, Chinneck built a brick house made entirely out of realistic, wax parts for London’s Merge Festival. The piece, titled “A Pound of flesh for 50p,” was put up in early October and left to endure the elements. Over the course of the past few weeks, the house has perplexed passersby as it melted and collapsed. Chinneck recently tweeted a photo of the house in its current state. Take a look at the melting house’s progress below.
There’s a problematic aspect to 
Kim Yun Soo is a Korean multi media artist whose work spans from mixed media sculpture and installations to photography, but perhaps her most compelling work is an ongoing series of PVC footprints, dramatically transformed into surreal mountainscapes. Since 1999, Soo has been collecting the fingerprints and footprints of her close friends and acquaintances, recording their unique shapes and spirals and giving them a new dimension inspired by the natural world. Many of her works resemble a wave, where a single footprint ripples out into stacked shapes and contours, forming a sort of topographical map of their owner that she arranges in simple displays.