While Kris Kuksi’s baroque assemblages (first covered in HF Vol. 19) have an ornate aesthetic suited for marble or gilded bronze, his work is composed of carefully-chosen collections of commonplace, throwaway objects. Kuksi assembles dolls, jewelry, model parts and various consumerist debris into monumental dioramas. Within them, his characters are embroiled in a chaotic drama of violence and sex, which Kuksi carefully contains into symmetrical, harmonious compositions that appear deceptively decorative at a first glance. The Kansas-based artist will be showing his new body of work for his solo show, “Antiquity in the Faux,” opening at Mark Moore Gallery in Los Angeles on November 15.